A Quote by Kimberley Nixon
Sometimes when you film, you can be in a bit of a bubble, and then suddenly when you finish filming, it's taken out of your hands - it's not yours anymore, and we all love it so much that we feel quite protective of it.
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Sometimes, I genuinely enjoy having conversations with journalists; enjoying the few moments of intimacy with a stranger is fascinating to me. But once in a while that backfires and you're suddenly reading something that has a bent on it that you didn't feel was in the least bit a part of the conversation that you thought you were having. Then you get overly protective and say very little and then you come out of the hole again.
I do it when I'm a preparing for a role quite a bit - I sit with music. It helps influence the discovery of something. Then sometimes during filming I like to listen to the same things. It brings me back to a place where I just feel more creative and focused.
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
I got so much out of 'The To-Do List.' This is a joke that I say about myself sometimes, in terms of my film career: I feel like I'm always playing the kid in serious adult movies. So, for me, it was so wonderful to suddenly be working with other people my age who were doing this on film.
That's one of the great things about creativity. You labor away in a room, and when you're writing a film, it couldn't be more of a solitary activity or a lonelier job, but if you then write a film that gets made and goes out into the world, it kind of flies away from you. It's not yours anymore.
Do grant, oh my God, that when my lips approach Yours to kiss You, I may taste the gall that was given to You; when my shoulders lean against Yours, make me feel Your scourging; when my flesh is united with Yours, in the Holy Eucharist, make me feel Your passion; when my head comes near Yours, make me feel Your thorns; when my heart is close to Yours, make me feel Your spear.
When you finish a record, I look at it like a photograph. It's already taken. You got it the way you wanted it to be. You edit it, make sure the light and contrast are right, then you just put it away, and that's your photograph. Then you don't really think about it anymore.
I hardly wear any makeup. TV and film makeup is very heavy, so it's nice to give my skin a break when I'm not filming. And I'm really grungy, probably too much so. Although when I go out, I love to dress very glamorous and quite sexy.
Basically, actors arrive in a bubble. They have a little sealed bubble around them and it's basically [comprised of] their agents, their last film, their next film, their press agent, and their per diems - all these things, they cocoon themselves with and you have to puncture that bubble on each of them to make them be in your film.
There is anxiety, but it comes after you've finished filming because it's out of your hands; people are editing it, they're cutting it, marketing it. And it's... part your career sort of rides on that. But when you're actually filming it's a team thing and it really feels good there for me.
There's a difference between lust and passionate love. Lust can't just creep in. You'll not find it where true love exists, but it has power enough to shatter the world you've worked so hard to create with love, and sometimes, it suddenly changes how you perceived love to begin with. Love then doesn't live there anymore.
It feels like you are in your own little bubble when you film 'Bake Off.' There is no noise, the outside world doesn't exist when we are filming. It's us, the tent and the bakers.
Christ has no body now on earth but yours, no hands, no feet but yours. Yours are the eyes with which Christ looks out his compassion to the world. Yours are the feet with which he is to go about doing good. Yours are the hands with which he is to bless us now.
Then I began filming a world that I knew quite a bit about. I was peripherally involved in that world much of my life - the exotic reptile world, the collectors, the dealers, the smugglers.
In film, you're so much in the hands and at the mercy of the editor, so sometimes it's good to watch it just to see how it turns out - it can be so different than how you imagined it. But sometimes it's better to just let it go for your own sense of self worth.
I appreciate it if I make a Chinese film. And if there is an opportunity to make a Hollywood film, I will take it - especially because, as you probably know, in Hollywood, even today, there are not a lot of big roles for Asian performers. So it is a great opportunity. It is possible to make films that people everywhere enjoy. I travel quite a lot. I don't really feel like when I am in China, I am a Chinese person and when I'm here, I'm a foreigner. I don't feel that kind of difference anymore. In the past I did. Not anymore. I feel quite at home everywhere. The whole world is my home.
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