A Quote by Kimberly Elise

I can be dramatic. I can be funny. I can be sexy. I can be sad. I can be glad. — © Kimberly Elise
I can be dramatic. I can be funny. I can be sexy. I can be sad. I can be glad.
I'm really silly. That's the thing that people don't get. I think I'm a stronger comedic actress than I am a dramatic actress. I'm not really pigeonholed, but I'm known for drama. I do comedy so easily, and people relate to my humor. I'll be glad because I don't have to stay sexy and young forever. I don't care if I'm big, as long as I'm funny.
There's lots of sides. The CD doesn't really create a mood. It creates more of a journey. It starts out with a simple bluegrass tune, sort of melancholy and sad, like "Lovin' and Lyin'," then it's sexy and there's some funny songs in there where I'm talking, like "Designated Drunk." There's a humor side, a sexy side, but there's also a pretty sad side, the country side. It's the backwards side of me!
I do think funny is like sexy. You're either funny and sexy, or you're not.
Fame is sexy. And women are meant to find men who are funny sexy. But not me. Absolutely not me. Clearly I just missed the sexy bit.
[An article about Cho] started out, "Funny, sexy, zaftig Margaret Cho..." What is "zaftig?" Isn't that German for "big fat pig?" I guess I was lucky - "zaftig" is kind of a nice word. It could have been, "Funny, sexy, OBESE Margaret Cho."
When I was in college, I had a friend who was an artist and her theory was that all the best art in the world is funny/sad. That was her favorite genre. Funny/sad are probably my two favorite tones.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
I'm glad I'm funny. I'm glad I make people happy, because that's very important. But I'm proud to be known as a kind person.
I would like to play some character that's somewhat dramatic. I don't see myself ever becoming that serious, or it sounds weird, but I don't see myself doing something that's really dramatic but somewhat dramatic. I would like to do something that's more real and doesn't have to be laugh out loud funny. I always like whatever I'm involved in... whether it be funny or whether it be somewhat like... I'm not gonna try to get people to really cry.
I drank to be funny, or sexy. I drank because I was afraid or happy or sad, and I drank for anything that required emotional commitment. ... I had chosen a profession that thrives on insecurity, and is never far from some source of social intercourse that involves alcohol or drugs.
When you have passion it changes your perspective on things, you want every tiny detail to be right. You want funny moments to be funny, sad moments to be sad. You wanna give your all.
There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story.
There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
I find people sexy, and I find personalities fascinating and sexy and appealing and charming. So a sexy girl wrapped in a sheet is a sexy girl, and an un-sexy girl in a low-cut dress is still an un-sexy girl.
When you look at the comedies that are out there, 99 per cent of the time, men are the heroes. It's often thought that a woman can't be funny, that women are supposed to be sexy, not funny.
This whole business of documentary being a second-class citizen is bullshit. A documentary can be as interesting, as dramatic, as sad, as funny, blah, blah, blah, as a fiction movie. Or it can be as awful as a fiction movie!
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