A Quote by Kimberly Elise
'Beloved.' That's an amazing film and I'm sorry more people didn't see it when it came out.
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I went to Jerusalem, the dead sea, it was just amazing. Because what we see in the TV, I'm sorry to say it, I don't want to insult nobody, but a lot of the image that we see from the middle east in Canada - It's sad to say but it's always bad stuff. I was thinking coming here it would be a lot of military, security, everybody would be a little more on the edge, but I see it's amazing. It feels a little bit similar to Miami.
If people enjoy the film, it can be really intriguing to see what created that film, how each one of those unique components came together, who the people are who did it and what it meant to them to do it.
Yes, there's more access to film than when I first came into the league, but because of it there's a desire to see more and study more and cover more.
It's amazing to see that people came to see you. That, that was their wish.
The secret of my success is my mother, who was from Dublin. All my relations are in Dublin or in the west, or as I found out, we went to Rostrevor in Northern Ireland to film and I got out, while they changed cars around, and this man said to me: "You know you have cousins in this town? And they're coming down to see you..." And so they did. I'm sorry we didn't go to a lot more places, so that I could find a lot more cousins. So, that was good. It's entirely because my father was also brought up in Dublin. So, that's my link.
Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.
The amazing fact that one person can make his own film - I think animation is somewhat unique in that respect. I don't need to deal with lawyers. I don't need to deal with corporations. I don't need to deal with executives or agents or any of that. I can just sit at home and make a feature film. That's a wonderful experience. Each film I make gets more popular, more press and makes more money. So it's amazing that I've survived and actually prospered doing that sort of homegrown, cottage-industry filmmaking.
David Lynch came out of it a genius, and I came out of it a fat girl. I'm sorry that the only comment I get about the part is the way I look. Commenting on the critics' response to her performance in Blue Velvet
Just let yourself be broken and humiliated. Just your whole life, keep telling people, I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
Film-making is not liberating. It drains a lot out of you, and it's fulfilling only temporarily. It's a very thankless thing at times. When you're spending all that time on a film, you don't want 40,000 people to see it - it's just not enough. You dream of more.
We did the original 'Stargate' as an independent movie. It was a surprise success. Shortly before the movie came out, the financiers who were frightened the movie might not do well sold the film to MGM. When the film came out, it was a hit and spawned TV shows.
I think women are amazing and womens friendships are like a sisterhood and we should see more of it in television and film.
There's this zeitgeist happening, and people are more open to 'Sorry to Bother You' being a hit with 'Get Out' being out there. But that zeitgeist is also happening because of the movements going back to Occupy and Black Lives Matter. Usually, film is years behind. It just so happens that, this time, everything is lining up.
There was a time in my life when I would literally go see every single film that came out in the theaters. No matter what. I just became obsessed with movies, and wound up getting drawn to the pulsating grain of film and the flickering of the light.
I have friends who I consider my peers, who have done amazing work, particularly in the film and television space, who came up as independent artists and who have been - to be brutally honest - much more prolific than I was able to be.
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