A Quote by Kimberly Guilfoyle

Guns don't walk into a theater by themselves and shoot people. You have to look at who's behind it, who's behind the trigger? — © Kimberly Guilfoyle
Guns don't walk into a theater by themselves and shoot people. You have to look at who's behind it, who's behind the trigger?
I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I’ve seen people withdraw, I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. So I can understand them. What we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems.
For pilots sometimes see behind the curtain, behind the veil of gossamer velvet, and find the truth behind man, the force behind a universe.
Think about the physical act of pulling a trigger. The amount of pressure it takes to pull a trigger or the speed it takes to shove a sharp object into somebody. The psychology behind it. Why people kill? Why people don't kill?
Behind the corpse in the reservoir, behind the ghost on the links, Behind the lady who dances and the man who madly drinks, Under the look of fatigue, the attack of migraine and the sigh There is always another story, there is more than meets the eye.
The U.S. has more guns per capita and supplies more guns to the world than any other country. What would be a fistfight without guns turns into dead bodies with them. Families with guns in the house are more likely to shoot themselves accidentally than to shoot any intruder. Women abused by their partners have a five-fold increased risk of being killed when their partner owns a gun. Every three hours, at least one child is wounded or killed by gunfire.
Earlier ages fortified themselves behind the sovereign state, behind protectionism and militarism.
Behind my carefully buttoned collar is my nakedness, the struggle to find clean clothes, food, meaning, and money. Behind sex is rage, behind anger is love, behind this moment is silence, years of silence.
Guns don’t kill people. The aliens behind the triggers do.
While actors play with guns for make-believe, the guns themselves are by no means make-believe; they're real. Even when the actor is using blanks, there are all kinds of safety protocols to follow when shooting one at someone. Pulling the trigger is the easy part.
Come you masters of war You that build all the guns You that build the death planes You that build the big bombs You that hide behind walls You that hide behind desks I just want you to know I can see through your masks.
If you look at Paris, they didn't have guns and they were slaughtered. If you look at what happened in California, they didn't have guns, they were slaughtered. They could've protected themselves if they had guns.
When you're an actor, you're very much exposed, but in a strange way you're totally protected behind a character, behind a script, behind a director.
My father stood behind a bar in the back of the room all those years, so one day I could stand behind a podium in the front of a room. That journey, from behind that bar to behind this podium, goes to the essence of the American miracle - that we're exceptional not because we have more rich people here. We're special because dreams that are impossible anywhere else, come true here.
The theatrical experience is also a communal one. When people saw 'Fruitvale' in the theater, there was not a dry eye at the end of the movie, and you would look to your neighbor and have this shared moment together that had a real weight behind it.
It seems like people are all the time making themselves themselves, but they don't really know it. You can only have true vision when you look behind. A person can slide so fast into being something they never really intended. I wonder if you can truly resurrect your own self.
Always wait for the trigger. The trigger is the final part of the puzzle, the reason you want to shoot.
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