A Quote by Kimberly Guilfoyle

If I see, hear, or experience anything that I feel is inappropriate, you bet I'm going to speak up. — © Kimberly Guilfoyle
If I see, hear, or experience anything that I feel is inappropriate, you bet I'm going to speak up.
When the Irish nun said to me, "Speak your name loud and clear so that all the boys and girls can hear you," she was asking me to use language publicly, with strangers. That's the appropriate instruction for a teacher to give. If she were to say to me, "We are going to speak now in Spanish, just like you do at home. You can whisper anything you want to me, and I am going to call you by a nickname, just like your mother does," that would be inappropriate. Intimacy is not what classrooms are about.
We will be able to travel backward or forward in time and see what has been and what is going to be, as well as experience the glorious wonderful present! We will see, hear, feel and experience the very events of the past, just as they happened.
I think hip-hop is actually one of the most challenging things that's happened in music in a long time. The people who are in charge of what people see or hear are afraid. What you hear on top 40 or what you see on BET or MTV is not a fair representation of what is really going on...
If you bet on a horse, that's gambling. If you bet you can make three spades, that's entertainment. If you bet cotton will go up three points, that's business. See the difference?
Beauty is undefinable in language. It's something that you see when you see it, or you feel when you feel it, or you hear when you hear it. It usually encompasses all five of the senses. It can't exist without it being a somehow sensorial experience. But, I don't think it's quantifiable. Nothing is really quantifiable. Nothing is certain in love and friendship. We all try to understand these things.
I'm inspired by whatever I see, feel, hear about, watch on the TV...anything. It can be something that I really need to get off my chest so I write or something a friend is going through which gets my thoughts going.
My fans don't feel like I hold anything back from them. They know whatever I'm going through now, they'll hear about it on a record someday. They'll hear the real story. There's a little bit of lag time. It's not as instant as going on a gossip blog. But it's much more accurate.
Where is this love? I can't see it, I can't touch it. I can't feel it. I can hear it. I can hear some words, but I can't do anything with your easy words
Let's say [Warren Beatty] wants you to speak louder in a scene. He won't stop playing the role and say to you as a director, "Will you speak louder on the next take?" He'll say it as Howard Hughes: "I can't totally hear you. Why don't you speak up a little bit?" To kind of keep this rhythm going.
Well, a special screening was set up for government officials, so they didn't have to see the experience of going to see the film. They certainly aren't going to the projects to see for themselves the situation.
Bet you never eat, he says. Bet you drink up the oxygen like it's butter. Bet you can go for days on nothing but thoughts.
So, to see the response to the Kickstarter, and to see people actually really want to see, hear what I'm doing, hear what comes out of my own mind, is really an incredible experience.
I want to make a bet with you.” Her interest perked up. “You do? About what?” Already knowing it wouldn’t go over well, Spencer braced himself. “I bet you can’t go a month without cursing.” Her chin tucked in, and her brows came down. “What does that have to do with anything?” He had no idea, except that it annoying him to hear her be so coarse. “Go a month without cursing.” He hated himself, but he said, “Every time you slip, you owe me a kiss.
To learn anything fast and effectively, you have to see it, hear it and feel it.
Maybe you're going to a concert thinking you're not going to hear anything but music. But you may walk away from there with an answer to a problem that you're carrying around with you that you didn't think you were going to hear about.
It’s really strange, but they speak to me — the notes and the chords. So when I hear other people’s music, I can feel the composer. Whoever created that, I can see in their soul.
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