A Quote by Kimberly Willis Holt

I hope the wonder of what happens to my characters never goes away. That yearning keeps me writing. — © Kimberly Willis Holt
I hope the wonder of what happens to my characters never goes away. That yearning keeps me writing.
I dread the loss of her I've never touched love keeps me a slave in a cage of tears I gnaw my tongue with which to her I can never speak I miss a woman who was never born I kiss a woman across the years that say we shall never meet Everything passes Everything perishes Everything palls my thought walks away with a killing smile leaving discordant anxiety which roars in my soul No hope No hope No hope No hope No hope No hope No hope
I think that you just understand, as any creative person, that there's a beast that you have to beat, and it never goes away. I've resigned myself to that, and it's kind of what keeps you going. Writing is the worst and the best.
Theres a wideness in Gods mercy I cannot find in my own And He keeps His fire burning To melt this heart of stone Keeps me aching with a yearning Keeps me glad to have been caught In the reckless raging fury That they call the love of God
For me, there is a stigma attached to playing beautiful parts. They are often empty characters whom the action happens around. I'm more drawn to characters with a complex internal life, who have a burning frustration underneath that keeps them going.
I look for characters that interest me, and a story that keeps me involved and makes me want to know what happens next.
I could not imagine living away from Sevenwaters, away from all that was so much a part of me. Maybe, if you cared enough about someone, you could do it and not feel your spirit torn in two. But the forest keeps her hold on all those who are born there, and they cannot travel far without the yearning in them to return.
So the fact that there's someone who's planning what happens to the characters, writing it down, means that the characters always have a fate. And when we think about fate, we tend think of it as the thing we would have if we were literary characters, that is, if there were somebody out there, writing us.
I'm always writing towards a discovery. When I'm writing poems in particular, I'm often writing because a few images coalesced in my mind and I thought, "I wonder why these images are abrading against each other. I wonder what happens if put them in a poem and explore them." I'm trying to learn something every time I write a poem.
If you have stage fright, it never goes away. But then I wonder: is the key to that magical performance because of the fear?
I suppose I always find a lot of characters that are deeply, deeply keening with a sense of yearning and desire through sadness, but they have a bravery that keeps them going despite that.
Sometimes I'll open my voice to sing and I'll think, "I hope I hit the right notes." I do music for a living and I still feel like that, but it's good because it keeps me humble, it keeps my feet grounded, it keeps me trusting in God.
Mediocrity never goes away - but neither, I hope, do those who are willing to challenge it.
I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
I think the key is to give the reader characters they not only care about, but identify with, and to never take away all hope.
Nostalgia is inevitably a yearning for a past that never existed and when I'm writing, there are no bees to sting me out of my sentimentality. For me at least, fiction is the only way I can even begin to twist my lying memories into something true.
Your music sounds better on the radio, for some reason. It's an amazing feeling. I hope it never goes away.
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