A Quote by Kimberly Willis Holt

I have to re-write a lot. I couldn't tell you how many drafts I write, but I know I've done at least twenty rewrites on each book. — © Kimberly Willis Holt
I have to re-write a lot. I couldn't tell you how many drafts I write, but I know I've done at least twenty rewrites on each book.
I write slowly, and I write many, many drafts. I probably have to work as hard as anyone, and maybe harder, to finish a poem. I often write a poem over years, because it takes me a long time to figure out what to say and how best to say it.
At least I'm at peace with myself. I have done my best to write a book about what really happened there and why it happened and it's done, it's published. I won't write another book on Vietnam.
I am 55 years old now. It takes three years to write one book. I don't know how many books I will be able to write before I die. It is like a countdown. So with each book I am praying - please let me live until I am finished.
Well, first you have to love writing. A lot of authors love having written. But I enjoy the actual writing. Beside that, I think the main reason I can be so prolific is the huge amount of planning I do before I start to write. I do a very complete, chapter-by-chapter outline of every book I write. When I sit down to write, I already know everything that's going to happen in the book. This means I've done all the important thinking, and I can relax and enjoy the writing. I could never write so many books if I didn't outline them first.
Everything I write goes through a lot of drafts. A hundred rewrites is not unusual for me to go through - the last fifty maybe just going back and forth on a single line or word selection.
Do you know how some people can do anything?” “What do you mean?” “I mean, you tell them to write a tune, they give you a symphony right there. You tell them to write a book, they write you a novel in a day. You tell them to move a spoon without touching it, they move it. If they want something, they make it happen. Miracles, almost.
I don't read anything electronically. I don't write electronically, either - except e-mails to my family and friends. I write in longhand. I have always written first drafts by hand, but I used to write subsequent drafts and insert pages on a typewriter.
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
I think my books talk about kids learning to like and respect themselves and each other. You can't write a message book; you just tell the best story you know how to tell
I think my books talk about kids learning to like and respect themselves and each other. You can't write a message book; you just tell the best story you know how to tell.
With each book you write you have to learn how to write that book - so every time, you have to start all over again.
I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.
I don't write drafts. I write from the beginning to the end, and when it's finished, it's done
It was my great problem to solve: how to write a book, you know. And after you write one, you have to write another to prove to yourself you can do it again.
I tell beginning readers to read a lot and write a lot. If you want to write a book, find a subject that's really worth the time and effort you'll put in.
The only way to write a book, I’m fond of telling people, is to actually write a book. That’s how you write a book.
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