A Quote by Kimberly Willis Holt
One of the reasons I write is to be in other people's skin.
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I, myself, write to change my life, to make it come out the way I want it to. But other people write for other reasons: to see more closely what it is they are thinking about, what they may be afraid of. Sometimes writers write to solve a problem, to answer their own question. All these reasons are good reasons. And that is the most important thing I'll ever tell you. Maybe it is the most important thing you'll ever hear. Ever.
What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.
I never wanted to grow a thicker skin; I felt a real sense of pride in my thin skin, and in a weird way, I still do, because it's my thin skin that allows me to empathize with other people. It's the thing that allows me to create vulnerable art. It's the thing that allows me to create other feelings and make songs that actually grab people and touch people. I feel like I've spent my life fighting that thicker skin because I don't want to become an embittered asshole.
It's wrong to discriminate based on skin color when there are so many other reasons not to like someone.
Things don't just happen, they have reasons. And the reasons have reasons. And the reasons for the reasons have reasons. And then the things that happen make other things happen, so they become reasons themselves. Nothing moves forward in a straight line, nothing is straightforward.
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.
Theres really not much that people can pick on me for my work, so obviously they find other reasons to write something bad about me. I mean, people enjoy reading bad stuff about people.
There's really not much that people can pick on me for my work, so obviously they find other reasons to write something bad about me. I mean, people enjoy reading bad stuff about people.
Discover the time of day when you write best, and write then. For me it's about 7 am to noon. For other people it's overnight. Try not to do anything other than write between those times.
Sometimes we want to engage in a war for financial reasons, for strategic reasons, for moral reasons, for all sorts of reasons, and it's important when we're making that decision to remind ourselves of what happens to the people on the front lines when we start this process.
I mean there are tons of reasons. Well first of all. I write my own record. I don't take other people's materials. And I have a job which is being Willa Ford on top of getting back in the studio and writing and recording.
I've tried to write songs for other people and it usually requires them singing it and then changing the phrasing. I can put a lot of words in a song, and one of the reasons is, I'm not that good of a singer, so I don't hold a lot of notes.
I have an immigrant story. Most people come here for economic reasons, or religious reasons, or racial reasons, or gender reasons, or one of those things. I had a good job in Paris, but America was, and still is, the golden fleece. And I've done very well!
You can't write good characters if you can't imagine what it's like being in another person's skin. And if you can imagine that, you naturally want other people's lives to be better. You want to make that happen.
When talented people write badly, it's generally for one of two reasons: Either they're blinded by an idea they feel compelled to prove of they're driven by an emotion they must express. When talented people write well, it is generally for this reason: They're moved by a desire to touch the audience.
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