A Quote by Kimbra

The fun of being in the pop world is you can really play with people's perceptions of what the word pop means. — © Kimbra
The fun of being in the pop world is you can really play with people's perceptions of what the word pop means.
We kind of write pop songs, but we don't fit in the pop world. We're really bad at being pop stars and walking down red carpets. We've got our own little bubble, which we really like. We've learned to really like that.
I think 'pop' can be a bit of a dirty word. People are very cool in Australia. They don't like to admit that they like pop. There are people who listen to Triple J and cool stuff like that, but commercial radio is massive, and if you look at the sales of the pop songs every week, people love pop music.
The thing Pop did for me and did for a lot of coaches is - he let me coach. It seems really simple, and that's the beauty of being with Pop and being around Pop.
The supporting thing can be harder to pop in and out of. The hardest thing is the people who have to come in and play, say, the bartender for a day - that's a lot harder than playing the lead role. You have to pop in and get it right. It's a lot of pressure to just pop in there and fit in and find your footing really fast.
I personally don't like to draw a line between 'K-pop' and pop music, but I do think it is a good time for K-pop artists to be shown to the world, because the world is just ready for it.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
I'm still looking for the rules of what is and isn't pop music. I'm pop. I mean, of course I am. What isn't pop? There should be a pop amnesty where everyone reclaims it.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
I think K-Pop is something that sucks people in because it's open. I can do pop, EDM, rock, R&B and it doesn't matter, K-Pop embraces them all.
'Catfish' is a great project that we have a blast doing, and it's really fun and at the zeitgeist in the world - certainly in the U.S., hopefully in the U.K. and I imagine the rest of the world. Being at the centre of this discussion and this subject has been really incredible as both a filmmaker and someone who likes to participate in pop culture.
The English don't like concepts, really, not from a pop star. It's alright if they come from an 'intellectual,', but from a pop star you're getting ahead of yourself. Part of the class game is that you shouldn't rise above your station, and to start talking about concepts if you're in the pop world is getting a bit uppity, isn't it?
People have said on blogs - which is kind of where I decide where to describe my style, from other people telling me - so I don't know, people say it's like, "electro-pop with glam and old rock influences." Or it's "indie pop" or whatever that means.
I don't care about the word 'pop'. The Beatles were pop; it's just what's popular.
I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
The biggest crime in England is to rise above your station. It's fine to be a pop star. 'Oh, it's great, lots of fun, aren't they sweet, these pop stars! But to think you have anything to say about how the world should work? What arrogance!'
When I was 16, I had a really big hit in the K-pop world. It was a hip-hop/R&B/pop song. I kinda strayed from that because of the writers I was hanging out with.
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