A Quote by Kimbra

My process is to be by myself when I record. It's quite an emotional performance to pull off when someone else is in the room. I prefer to go away and have my own time with it, bring it in later.
By letting go of dieting, I free up mental and emotional room. I have more space, I can move. The pursuit of another, elusive body, the body someone else says I should have, is a terrible distraction, a side-tracking that might have lasted my whole life long. By letting myself go, I go places.
Actors pull from their own experiences to bring reality to the characters. I wouldn't want to play someone who's a lot like me. There would be no turning it on or off.
I just constantly judge myself based off my performance. When performance isn't good, I let it bring everything down.
I learned to basically pull my own weight, just do my own thing. I spent a lot of time alone and I loved it. It was actually really great because to the present day I love spending time alone. I go bicycling alone, go climbing alone and I just love being with myself and observing myself and learning something.
I wish I could go out farther from my musical history. I didn't realize how hard it was until I tried to do it. All the basic tracks on Romanian Names were done in my basement, alone, without any of the self-consciousness that comes with being in the studio. It was a completely different process. And those two things definitely made the record sound different. But you want this quantum leap from record to record, and maybe if I did make a quantum leap I'd make an unlistenable album. So maybe I'm lucky that I can't pull it off.
You think that holding someone hard will bring them closer. You think that you can hold them so hard that you'll still feel them, embossed on you, when you pull away. Every time Eleanor pulled away from Park, she felt the gasping loss of him.
Someone will ask later, sometimes searching for a name, his own or someone's else's why I neglected his sadness or his love... But I didn't have enough time or ink for everyone. Or maybe it was the strain of the city, of time the cold heart of the clocks.
It's been a horrifying academic secret for decades that the children who walk away with the highest formal honors, the valedictorians and National Merit Scholars, have a horrendous performance record in later life.
Yeah, you know, if I'm having an emotional scene I do like to go off and be by myself; not to say that I'm a method actor or anything like that, but for scenes like that that are more emotional, I do like to take that night off and not be so social.
One of the things on a very practical level as an actor or actress is that when you do a play, you do the entire story every time you do it. You have eight shows a week. You have a rehearsal process of four to five to six weeks. And then once you're in performance, everybody else goes away and you're there with your fellow actors and the audience and the material and your life becomes about that. And you go through the story from the beginning to the end every time you do it and depending on how long you do it, that's where the craft comes in.
I've worn a lot of humdingers in my time, but as a model it's my duty - my responsibility - to bring life to any garment. That can be challenging when it comes to high fashion, where the creations can be very eccentric, but I've gained a reputation for being the go-to girl who can pull it off.
When you are in the studio, you don't have anybody to feed off of; meanwhile, when you are playing live, you interact with people and you feel the energy in the room. When the crowd is going crazy, that definitely impacts your vocal performance. I prefer to sing live.
When you're jealous, especially of someone else's art or creations you automatically put up these selfish walls that reinforce your stupid ideas. It's hard to pull those walls down and look at what you're hiding. Look at your own weakness and realize that the jealousy came from knowing that you're intimidated by someone else's work, and that when you compare it to your own, you fall short.
If the pull of the outside world is strong, there is also a pull towards the human. The cat may disappear on its own errands, but sooner or later, it returns once again for a little while, to greet us with its own type of love.
Every time I try to disown that concept for myself, which is a really healthy perspective, they bring it back all the time. It's so serious and so real and so tangible that you don't want to taint it with anything other than the thing itself. I was tickled pink with my very zen self, walking around saying that I made a record because I wanted to make a record. That's so beautiful. It's like a haiku poem. That takes away all the tension and the expectation. I just want to try to do something interesting.
I train harder than anyone else in the world. Last year I was supposed to take a month off and I took three days off because I was afraid somebody out there was training harder. That's the feeling I go through every day - Am I not doing what somebody else is doing? Is someone out there training harder than I am? I can't live with myself if someone is.
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