A Quote by Kimon Nicolaides
When we use numbers we are using symbols, and it is only when we transfer them to life that they become actualities. The same is true with drawing and painting. They are to be learned, not as rules, but as actualities. Then the rules become appropriate.
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Rebels learn the rules better than the rule-makers do. Rebels learn where the holes are, where the rules can best be breached. Become an expert at the rules. Then break them with creativity and style.
If you go to a master to study and learn the techniques, you diligently follow all the instructions the master puts upon you. But then comes the time for using the rules in your own way and not being bound by them....You can actually forget the rules because they have been assimilated. You are an artist. Your own innocence now is of one who has become an artist, who has been, as it were, transmuted.... You can't have creativity unless you leave behind the bounded, the fixed, all the rules.
Rules help govern and steer a relationship along, so they're good things. But they become bad things when they become the narrow gate though which the relationship must always pass. When this happens, the rules become the basis for the relationship and, in a sense, become a substitute for the relationship.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
Speakers who have grown up in the American community unconsciously know its rules about taking turns in conversations-in the same way that they know the rules of grammar and the rules about appropriate speech in various situations.
An axiomatic system comprises axioms and theorems and requires a certain amount of hand-eye coordination before it works. A formal system comprises an explicit list of symbols, an explicit set of rules governing their cohabitation, an explicit list of axioms, and, above all, an explicit list of rules explicitly governing the steps that the mathematician may take in going from assumptions to conclusions. No appeal to meaning nor to intuition. Symbols lose their referential powers; inferences become mechanical.
The good thing about rules is if you have to do an interview, and you make some rules for that interview, like, "I can only ask him about five years of his life or her life," it narrows down your story. It's the same thing with acting. In my profession, if I say, "These are the rules for this character," all of the sudden, you create life.
And when the world is created, it is created in such a way that those eternal objects of God's loving wisdom become actualities - interacting with one another, relating to God in the finite realm.
But all fairytales have rules, and perhaps it’s their rules that actually distinguish one fairytale from the other. These rules never need to be understood. They only need to be followed. If not, what they promise won’t come true.
I think that the essence of being an artist is to break rules. You have to learn rules, and you have to break them, because if you make art only by the rules, then you make very boring art.
It is paltry philosophy if in the old-fashioned way one lays down rules and principles in total disregard of moral values . As soon as these appear one regards them as exceptions, which gives them a certain scientific status, and thus makes them into rules. Or again one may appeal to genius , which is above all rules; which amounts to admitting that rules are not only made for idiots , but are idiotic in themselves.
It seems to me there are no rules, only instances; but perhaps that is because I learned no rules, and am only an instance myself.
I work on words, mostly, toward them being poetry or short stories, and then some of those become songs. They all find their place in the world, but they all start off in the same place. I'm always painting and drawing as well, and it's an ongoing creative assignment.
I'm not adopted. But that longing and that sense of absence ... are perhaps other ways of expressing the actualities of my family. Different facts, same emotions.
In the times in which we live it is far too restricting to say that art can only be found in art galleries and not touch people's everyday lives. I want to use any means that are necessary to communicate with people what I feel about things. There are no rules. And if there are rules, then you may as well break them.
Internet has considerably changed the rules. Some artists do not try to become celebrities: the internet does the job for them and makes them, slowly, famous.... without them wishing to become celebrated.
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