A Quote by Kimon Nicolaides
Merely to see... is not enough. It is necessary to have a fresh, vivid, physical contact with the object you draw through as many of the senses as possible - and especially through the sense of touch.
Related Quotes
There is only one right way to draw... physical contact with all sorts of objects through all the senses.
It is not possible to provide evidence of life after death to the five senses anymore than it is possible to provide the five senses with evidence of non-physical reality. It cannot be done. The five senses; sight,hearing, taste and smell together form a single sensory system whose object of detection is physical reality. This cannot detect non-physical reality. Humankind is beginning to be able to access data the 5 senses cannot provide.
Since nothing else that I see merely through the senses can or will persist, He alone is.
Everything that you see before you with your physical eyes is an illusion. In other words, you are not seeing correctly. Life is made up of light. But if you are only looking through the senses, it seems solid and physical.
The beginning of human knowledge is through the senses, and the fiction writer begins where the human perception begins. He appeals through the senses, and you cannot appeal through the senses with abstractions.
Music is a physical expression that has a physical impact upon the listener. Sound travels in waves through the air. This is not abstract. This is scientific fact. And it makes physical contact with the eardrum... and with the heart... and with the rest of the body.
The first step in Occultism is the study of the invisible Worlds. These Worlds are invisible to the majority of people because of the dormancy of the finer and higher senses whereby they may be perceived, in the same way that the Physical World about us is perceived through the physical senses.
Several times in my life I've gone through long periods without sex or any other kind of physical contact. The hunger it produces is deep and low; it's possible to lose track of it, to forget or fail to perceive how it's emptied everything out of you and made the world papery and thin. Touch starved, you brush against existence like a stick against dry leaves. You become insubstantial yourself, a hungry ghost.
Whatsoever accidents or qualities our senses make us think there be in the world, they are not there, but are seemings and apparitions only. The things that really are in the world without us, are those motions by which these seemings are caused. And this is the great deception of sense, which also is by sense to be corrected. For as sense telleth me, when I see directly, that the colour seemeth to be in the object; so also sense telleth me, when I see by reflection, that colour is not in the object.
All changes in space which we see, hear, smell or taste are literally tactile impressions. All our senses are variations of our unique sense of touch. Two approaching objects touch one another when they finally meet without a noticeable space between them. ... This is what happens in any condensing matter in which the outer aspects move towards a centre... Each single part of matter approaches its neighboring part until the two collide, causing an impact or a pressure. It is space, which appears and disappears between and round object and in the movements of the particles of the object.
Men are subject to various inconveniences merely through lack of a small share of courage, which is a quality very necessary in the common occurrences of life, as well as in a battle. How many impertinences do we daily suffer with great uneasiness, because we have not courage enough to discover our dislike.
The meditator develops new depths of insight through direct communication with the reality of the phenomenal world... He or she is able to see not only the absence of complexity, the absence of duality, but the stoneness of stone and the waterness of water. One sees things precisely as they are, not merely in the physical sense, but with awareness of their spiritual significance.
Everything has to come through the senses, as though the soul is speaking out through the senses.
People vary enormously in how they learn. Some learn through their eyes - by reading but also by responding to all kinds of visual information. Others learn mostly through their ears or touch or other senses.
When I draw something, I try to build some kind of history into it. Drawing an object that has a certain amount of wear and tear or rust; or a tree that is damaged. I love trying to render not just the object, but what it has been through.
As Rilke observed, love requires a progressive shortening of the senses: I can see you for miles; I can hear you for blocks, I can smell you, maybe, for a few feet, but I can only touch on contact, taste as I devour
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