A Quote by Kin Hubbard

Plain spoken people get most of the recognition because folks are afraid of them. — © Kin Hubbard
Plain spoken people get most of the recognition because folks are afraid of them.
Why can't women get along? Because we're afraid. We're afraid to be vulnerable. We're afraid to be soft. We're afraid to be hurt. But most of all, we're afraid of our power. So we become controlling and aggressive and vicious.
Most people think small, because most people are afraid of success, afraid of making decisions, afraid of winning. And that gives people like me a great advantage.
Ever since I started acting, I've always spoken to our people about identity. I've spoken to kids, telling them: "Where do I get my strength to push through the barriers to get me where I'm at today? It's my culture and my traditions, you know?
Most people do not ever pick up the phone. They never ask, and that is what separates the people that do things from the people that just dream about them. You have to act, and you have to be willing to fail. You have to be willing to crash and burn, because if you are afraid of failing, you will not get very far.
One of the most difficult things is to get truthful people. Nobody can manage well if they don't have a lot of mirrors around them that are honest, that tell them what they're doing is wrong or wrongheaded or misconceived. And in every large bureaucracy on earth, most people are afraid to tell the boss the truth.
People are afraid to pursue their most important dreams, because they feel that they don't deserve them, or that they'll be unable to achieve them.
Search folks don't understand editorial. I'm not afraid of editorial costs, just like machine-search folks are not afraid of computer servers.
Whether it's a fully enlightened Christ or Buddha, or just a more aware Martin Luther King, Kennedy or Gandhi, what did they do with them here? They shoot them, crucify them, and get them out of the way because people are afraid of truth.
The folks who read my books are so passionate about each one of them that the people making my movies are more afraid of my readership than they are of me.
Part of me is afraid to get close to people because I'm afraid that they're going to leave.
I think there's a lot of people who are afraid to experiment with clothing because they're afraid to get judged or ridiculed.
Most of my recognition comes from us winning that championship. The words may not come out - 'Super Bowl III' - because a lot of the folks at the grocery store, gas station or mall weren't even born when we won the Super Bowl. But they're aware of it. It has had a tremendous impact on my life since then.
No child on earth was ever meant to be ordinary, and you can see it in them, and they know it, too, but then the times get to them, and the wear out their brains learning what folks expect, and spend their strength trying to rise over those same folks.
Maybe it’s not, in the end, the virtues of others that so wrenches our hearts as it is the sense of almost unbearably poignant recognition when we see them at their most base, in their sorrow and gluttony and foolishness. You need the virtues, too—some sort of virtues—but we don’t care about Emma Bovary or Anna Karenina or Raskolnikov because they’re good. We care about them because they’re not admirable, because they’re us, and because great writers have forgiven them for it.
I tell people to write the stories that you're afraid to talk about, the stories you wish you'd forget, because those have the most power. Those are the ones that have the most strength when you give them as a testimony.
Some people are the best lyricists, got the most gas, but they don't know have the personality or the people skills to go out there and network and get they recognition and they name out there. Sometimes people can get in the way of they own selves man, real talk.
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