A Quote by Kin Hubbard

Never tell the box-office man that you can't hear well or he will sell you a seat where you can't see either. — © Kin Hubbard
Never tell the box-office man that you can't hear well or he will sell you a seat where you can't see either.
Box office success has never meant anything. I couldn't get a film made if I paid for it myself. So I'm not 'box office' and never have been, and that's never entered into my kind of mind set.
Every man who takes office in Washington either grows or swells, and when I give a man an office, I watch him carefully to see whether he is growing or swelling.
So, it didn't do well. But now when I talk to kids who are first seeing it, they're surprised to hear the movie failed at the box office. Sometimes that's what happens.
Something's happened in our society which I don't think is beneficial, and that's that you see the public being fed box-office news. Newscasts now, every local station - I've been traveling around the country a lot, and you see the local news, and they give box-office reports.
If I tell you my character has grey hair, you will not see her. If I tell you she has a tiny scar at the upper left corner of her lip from which protrudes one grey whisker—you will make up the rest of her face with absolute clarity. If I tell you my character is waiting in a car, you won’t be ‘caught,’ but if I tell you he pushes his fingers down in the crack of the car seat where the ancient leather has pulled away from the seat frame, and pulls up a small coin purse with a faded note in it—you will be mine.
I hate how box-office failures are blamed on an actress, yet I don't see a box-office failure blamed on men.
Every man who takes office in Washington either grows or swells, and when I give a man an office, I watch him carefully to see whether he is swelling or growing. The mischief of it is that when they swell, they do not swell enough to burst.
Often, in the movie business, they need somebody who will garner box office because they need to pay for the movie. So the people who are in movies that make a lot of money are the people who most often get cast in studio pictures. In my career, I've never been a box office name.
Will: I say we sell her to the Gypsies on Hampstead Heath. I hear they puchase spare women as well as hoses. Charlotte: Will, stop it. That's ridivulous. Will:You're right. They'd never buy her. Too scrawny.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
Today, you're either very big or you're playing stadiums or you're not playing anymore. You're either popular where everybody will go to a 20,000 seat arena to see you or they won't go to see you at all.
Actors are greedy. They can never be satisfied. I want praise as well as box office returns.
So much of the downstream revenue is linked to that initial excitement, to how much revenue is produced in the domestic box office. For example, what we pay for a film three years later is highly correlated to how well it did in the box office.
My degree was in theater administration. So I can sell the hell out of a ticket at the box office.
I think no one really knows for sure what will work at the box office. Even big production houses don't know what will do well and what won't.
I can tell you that nobody in my family wants to sell the Knicks and Rangers. As a majority owner, I don't want to sell, either.
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