A Quote by Kin Hubbard

Hon Editor Cale Fluhart was a power politically fer years, but he never got prominent enough t' have his speeches garbled. — © Kin Hubbard
Hon Editor Cale Fluhart was a power politically fer years, but he never got prominent enough t' have his speeches garbled.
I got four volumes of the letters and speeches of Oliver Cromwell. He is prominent among the great unread, and treated so oddly by history that I wanted to hear his side of things.
I've always been charmed by houses, and descriptions of them are prominent in my novels. So prominent, in fact, that my editor once pointed out to me that all of my early novels had houses on the covers.
If the benevolent ruler stays in power long enough, he eventually concludes that power and wisdom are the same thing. And as he possesses power, he must possess wisdom. He becomes converted to the seductive thesis that election to public office endows the official with both power and wisdom. At this point, he begins to lose his ability to distinguish between what is morally right and what is politically expedient.
That is an editor. He is trying to think of a word. He props his feet on a chair, which is the editor's way; then he can think better. I do not care much for this one; his ears are not alike; still, editor suggests the sound of Edward, and he will do. I could make him better if I had a model, but I made this one from memory. But is no particular matter; they all look alike, anyway. They are conceited and troublesome, and don't pay enough.
Use the prise de fer!" Shelby called. "Lilith sucks at the prise de fer. Correction: Lilith sucks at everything, but especially the prise de fer.
It is familiar to mainstream academic scholarship. One very prominent political scientist, in his standard text American Politics 20 years ago, observes that "The architects of power in the United States must create a force that can be felt but not seen."
Ez fer war, I call it murder,- There you hev it plain an' flat; I don't want to go no furder Than my Testyment fer that. . . . . . An' you 've gut to git up airly Ef you want to take in God.
I always warn aspiring reporters to observe three basic rules: 1. Never trust an editor. 2. Never trust an editor. 3. Never trust an editor.
The writer who can't do his job looks to his editor to do it for him, though he won't dream of sharing his royalties with that editor.
If it's achievement that you place your value in, you're never going to achieve enough. If it's power, you always need to wield power over others. If it's money, you'll never be rich enough. But if you do something and are a part of what is happening, then you're always in it and it's always enough.
No, it will never have enough power until I can spin the wheels at the end of the straightaway in high gear. Too much power is never enough.
I been talkin' with my buddy, and he thinks I'm virgin enough fer the two of us.
I wrote a query letter to an editor - a friend of a friend. The editor called me an idiot, told me never to contact an editor directly, and then recommended three literary agents he had worked with before. Laurie Fox was one of them, and I've never looked back.
As yet, Bernard Shaw hasn't become prominent enough to have any enemies, but none of his friends like him.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
watch out fer these fellers around here. It ain't safe fer a pretty girl. Why, I had one just now tell me I looked like a breath of spring. Well, he didn't use them words, exactly. He said I looked like the end of a hard winter.
This site uses cookies to ensure you get the best experience. More info...
Got it!