A Quote by King Krule
I've mainly been sampling jazz because the tone of the chords are expressive in itself, so it's quite nice to write over.
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I've mainly been sampling jazz because the tone of the chords are expressive in itself, so it's quite nice to write over. It's got interpretations of a lot of different genres, too, a lot of dubby-ness and experimental stuff.
Ninja has definitely kind of changed its identity since it first started out. Ninja back in the day was always turntables and jazz and sampling and electronica. But over time, it's become quite diverse and open to songwriting in a variety of forms.
I like one nice man because he gets three tickets for the cinema so we've got somewhere to put our coats. He passes the test. I've been quite surprised because I really didn't expect to be wined and dined, and it's quite nice.
One chord is fine. Two chords are pushing it. Three chords and you're into jazz.
The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.
Rock music was the death of jazz in a way. I know there's a bunch of people who say jazz isn't dead, but I mean, rock 'n roll, you play three chords to 20,000 people; jazz, you play 20,000 chords to three people.
I do feel a responsibility because most people like me that are my age or younger, they don't quite make it over to the jazz side. They flirt with it, but they don't quite marry it.
I've always been a jazz fan, but I don't write much about jazz, because I don't have the chops. But it's really, really hard to write about improvised instrumental music when you don't have a good knowledge of harmony and can't identify rhythm signatures very easily either.
I am reasonably nice-looking and have quite an expressive face, which is good for comedy.
I was 16 when I came to New York. I had graduated to a tenor banjo in the school jazz band, and it was kind of boring - just chords, chords, chords. Then my father took me to a mountain music and dance festival in Asheville, North Carolina, and there I saw relatively uneducated people playing great music by ear.
I've been used for writing rhythm guitar chords for a long time because it's so easy to play and chords just sound good on it.
My friends say that at school I was quite bossy. I still am a bit bossy, but a nice bossy. I've always been very strong-minded, even as a little girl. But I'm a great friend, and I've never been in a fight in my life. I think it's nice to be nice, especially because I've never been scared to stick up for myself. I'm not a shrinking violet.
DJ culture is all about collage - sampling, splicing, dicing - everything is part of the mix, and there are no boundaries between sound sources. When you apply the same logic to the environment, there's a lot of room for mapping sampling techniques to the environment itself.
A good song is a nice set of chords and some good lyrics; a great song is a song that reinvents itself over time. That you can always find something interesting in the more you listen to it - it keeps revealing something to you.
By adding open strings to even the simplest chords, you can create voicings that sound sophisticated, but are really easy (and fun) to play. They're practical, not intimidating, and most certainly don't sound like 'jazz chords.'
A lot of the vocal music I've been doing recently has been quite clubby. But that's mainly because I've had more time to go to clubs, and that normally breeds that kind of influence.
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