A Quote by King Von

With 'Crazy Story,' I thought it from the back to the front. I thought about the ending first, then what's going to happen. — © King Von
With 'Crazy Story,' I thought it from the back to the front. I thought about the ending first, then what's going to happen.
I think about life and death a lot. For the longest time I thought this was it, but then I thought maybe reincarnation does exist and we will all come back. My new thought is either of these could be true, but realistically what is going to happen is when you are dead you are not going to know you are dead, so it's not the end of the world.
When Nickelodeon, in 2009, told us they wanted us to come back and do another series where we could do whatever we wanted, the first thought we had was: Let's do a story about the next 'Avatar.' That was the first thought. The second thought was: Let's make it a girl.
I have my own boat, but when I first thought about taking a cruise, I thought, 'You're going to trap me on a boat, and I'm going to walk in circles and go crazy,' but it's awesome.
I usually have a general idea of where the story is going, but I try to avoid planning in too much detail. The best endings are those that emerge only after I've thought long and hard about the various ways the story might end. Then I choose the ending that seems surprising yet somehow inevitable.
I packed my bags and went back to California and actually put wrestling behind me. I actually thought, well you know what, I thought it was crazy I made it once and to think I'm going to come back or whatever was unrealistic goal. So I went back to bodyguarding and substitute teaching.
When I first started out wrestling in front of 100 people, I thought, 'Chelsea, you're better than this. You should be working in front of thousands!' But I was crazy.
So the first thing that I thought about was, 'How is this car going to handle?' But then after I'd been driving with it and practicing with it and I accomplished that, then I just kind of sat back.
I did everything, I thought I was going to be in marketing, then I thought advertising then I thought I was going to be an architect and then I was like 'you know what, let me just be a soap star!'
That's what I love about documentary filmmaking, we never know where the story is going, we don't know what is going to happen next, and we're inside a culture of people that you have to figure out in many ways. It's a relationship between what you thought might have been the story, and what happens in the 'field.'
I was one of the first early Twitter users from the film fraternity. And back then in 2009, I thought I was going to enter a world where people liked me, knew me, knew my work - it was going to be fine! All about the love, not the hate. And it was. At first.
Reading the script for 'Jennifer's Body,' I just thought that here was a script that really exposes the horror between girls and friendships. I always sort of approached the film with that in mind first, and then thought about the crazy ways that that horror would express itself.
When I started thinking about 'Mr. Robot,' I thought about it as a movie, and I thought about the complete arc, and that is the one story I'm going to tell.
It was inconceivable to me as a child that I would be an adult. I mean, one assumed that it would happen, but obviously it didn't happen, or if it did, it happened when your back was turned, and then suddenly you were there. So I couldn't have thought about it much.
I always thought, 'Wow, I know I have an important story to tell,' but I never really thought it would happen.
So here I am, sending a two-ounce mouse down into a dungeon with a sewing needle to save a human princess, and I don't know how in the world he's going to do it. I have no idea. That was the first time it occurred to me that writing the story was roughly equivalent to Despereaux's descent into the dungeon. I was tremendously aware of that as I was writing. I thought, "I have to be brave or else I'm not going to be able to tell it." But it's the only way that I can write. If I know what's going to happen, I'm not interested in telling the story.
Anne Wiazemsky wrote two books about her life with Jean-Luc Godard between 1966 and 1969. And I first read the second one, which is about the fall of their love story and their marriage. I immediately thought there was a movie to make with this book because it was so funny, and I thought the love story was very, very touching.
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