A Quote by King Von
I don't go in and just get to rapping off the dome. I think about it. I really think about it, especially when I make the story.
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Thinking about making a love story without music was really frightening, Sciamma admitted. Because every love story we know, we think about 'Titanic' we think about the music, we think about 'Gone with the Wind' we think about the music, we think about 'E.T.' we think about the music, and every love story has its own tune, 'That's our song.'
I don't do all the background and the worldbuilding before I start the story. What I do is I work out the bare minimum I need to start the story, and often that really is a bare minimum - it's a character in a situation, and I know nothing about the character, I know nothing about the situation, and then I think about it for a long time, and make notes about where I think the story is going to go and so on, but I don't really make notes to do with the background or the magic system or the world.
I think a lot of people would assume that my job is more about supermodels and naked ladies and all that, and no, it's just really about fashion, merchandise and customers. So the obviously sexy parts - you get to go to the fashion show and all that stuff. It's really just business. That's my story. I'm sticking to it.
When I journal, I write about images that I've seen that I think might make good stories. I write about things that I hear that I think I can turn into a story. I write about the story that I'm working on and where I think it might go.
We're very specific when we're drawing work plans. We think about the chances of when a person gets off the elevator where they will go. We think about how people get to a coffee machine, when they go and get their lunch, when they go to the bathroom.
I think about everything first. I think about the scenario: the story and the characters, what I'm trying to say and I'll think about that for a couple of days until it's all locked in and then when I get to an instrument it'll just fall out. But the song's kind of all ready there in my head.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
I just think it's really funny and entertaining. I mean, I don't necessarily take them really seriously - I don't even think a lot of really good films get seen. But I don't think that's what it's about. I mean, how amazing was Ellen Burstyn in Requiem For A Dream ? Especially as she was acting with herself most of the time. I don't understand how a performance like that can't win. I was so affected by that movie that I had to turn it off. I felt as if I was on drugs and my heart was about to leap out of my body.
With confidence, I think anyone can get a dress and make it their own. I don't think you should have it off the runway and wear it like they want you to wear it. You know, with their hair and makeup - their woman. I just think it's boring. You have to make it your own. That's what fashion is all about.
There's a risk to everything you do. You can take off on a one-foot wave and get hurt; you can take off on a ten-foot wave and get hurt. You just don't think about it at all. You just go for it. When you kick out of a really big wave, it feels pretty damn good. You want to do it again.
I never... it's a hard thing: when I think about projects, I don't come off something and go, 'I really want to make a sci-fi film next,' or 'I really want to do a political thriller next.' It's really coming across - I'm really fascinated, partly by world building, but also about the character and what the journey is.
When we think about making the people in the audience happy, or trying to make them feel something, it kind of goes to waste. Usually we have our best skates when we just think about each other, and we just think about being in unison, and think about the program we're trying to do.
I think it's really odd, too, that the public is so privy to how much money the actors make and what movies cost. It seems to me to be beside the point. When I go to a movie I really don't want to think about the money. I want to see the story.
I would say that what the value of talking about and thinking about a dome over Manhattan is that [Buckminster] Fuller has identified a scale of action I think is actually really compelling.
Fame is not just about being able to get out of a limo in Leicester Square, it's about trying to get into your house when there are eight photographers outside. When you think about being famous, you don't think about all that stuff. You think about the glamour.
First of all, I don't think they have to go that high. That is not necessary, to be that high in the air. I think they're showing off, those pilots. I think we could just go really fast just a few feet off the ground. Just high enough to miss the animals.
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