Never use an adverb to modify the verb 'said' . . . he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange.
Saw you walking barefoot taking a long look at the new moon's eyelid later spread sleep-fallen, naked in your dark hair asleep but not oblivious of the unslept unsleeping elsewhere Tonight I think no poetry will serve Syntax of rendition: verb pilots the plane adverb modifies action verb force-feeds noun submerges the subject noun is choking verb disgraced goes on doing now diagram the sentence
Wind ought to be a verb or an adverb. It isn't really anything. It's a manner of movement of warmth and cold: a kind of information system of the air.
If love is truly a verb, if help is a verb, if forgiveness is a verb, if kindness is a verb, then you can do something about it.
All the words in the English language are divided into nine great classes. These classes are called the Parts of Speech. They are Article, Noun, Adjective, Pronoun, Verb, Adverb, Preposition, Conjunction and Interjection.
Adverbs, we know, are meant to modify a verb, an adjective, or another adverb. They help us understand things more clearly, more vividly, more... morely.
A player who conjugates a verb in the first person singular cannot be part of the squad, he has to conjugate the verb in the first person plural. We. We want to conquer. We are going to conquer. Using the word I when you're in a group makes things complicated.
Every adjective and adverb is worth five cents. Every verb is worth fifty cents.
You expect far too much of a first sentence. Think of it as analagous to a good country breakfast: what we want is something simple, but nourishing to the imagination. Hold the philosophy, hold the adjectives, just give us a plain subject and verb and perhaps a wholesome, nonfattening adverb or two.
'State' can be a word that is a noun or a verb or an adverb - it's kind of why I chose that title. It's not to confound the audience but to keep me from painting myself into a cul-de-sac in the early stages of making a record by having too high concept or having some really strict set of rules I have to adhere to.
I think the best way to put it is that newspictures are the noun and the verb; our kind of photography is the adjective and adverb. The newspicture is a single frame; ours, a subject viewed in series. The newspicture is dramatic, all subject and action. Ours shows what's back of the action.
Probably the best way to describe my writing style is to refer you to "purple prose", which was a tag given to the early mass market magazine writers earning a half cent a word for their fiction. They had to use every adjective, verb and adverb in the English language to add word count to stories in order to feed and support families.
One of the glories of English simplicity is the possibility of using the same word as noun and verb.
The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank.
The verb that's been enforced on girls is to please. Girls are trained to please...I want us all to change the verb. I want the verb to be educate, or activate, or engage, or confront, or defy, or create.
When your mother starts using the word "party" as a verb about her kid, that's absolutely crazy.