I'm a disciple of Raymond Chandler, who said in his essays that there's a quality of redemption in anything that can be called art.
Raymond Chandler I love a lot, and the Austrian writer Thomas Bernhard. I really love his voice.
Hardboiled crime fiction came of age in Black Mask magazine during the Twenties and Thirties. Writers like Dashiell Hammett and Raymond Chandler learnt their craft and developed a distinct literary style and attitude toward the modern world.
Hardboiled crime fiction came of age in 'Black Mask' magazine during the Twenties and Thirties. Writers like Dashiell Hammett and Raymond Chandler learnt their craft and developed a distinct literary style and attitude toward the modern world.
I don't much live my life as if I was living in a Raymond Chandler novel, which is probably a good thing.
I'm very similar to Chandler in many ways, although Chandler is funnier than me, and Chandler absolutely hates his job whereas I absolutely love my job.
Raymond Chandler managed to write about L.A. his whole career. Should I keep going writing about New York? Is that what I should be doing? Songwriting doesn't work that way.
And every place and time an author writes about is imaginary, from Oz to Raymond Chandler's L.A. to Dickens's London.
[Raymond] Chandler, I reread him, and there's a lot of bad writing there. I don't think he knew much about people.
Raymond Chandler once wrote that Dashiell Hammett gave murder back to the people who really committed it.
My family came to Newark in the '20s. We've been there a long, long time. My father's name was LeRoi, the French-ified aspect of it, because his first name was Coyette, you see. They come from South Carolina.
I not only read Raymond Chandler but read all the crime fiction classics. I was hooked.
Michael Chandler's performance in his UFC debut was great. His opponent was great, but it felt like he was mentally unprepared to face Michael Chandler. He crumbled to his pressure and movement early.
My literary heroes all wrote about L.A.: Joseph Wambaugh, Ross Macdonald, and Raymond Chandler were the three writers that made me want to be a writer.
With 'The Big Lebowski,' we were really consciously thinking about doing a Raymond Chandler story, as much as it's about L.A.
My music is about where I am at the time. In 'Raymond vs. Raymond,' I was going through a lot of things, and it came out in my music. My marriage fell apart, and I was suddenly a single father.