A Quote by Kiran Rao

I had a very late introduction to films. We didn't watch a lot of films while growing up in Kolkata. — © Kiran Rao
I had a very late introduction to films. We didn't watch a lot of films while growing up in Kolkata.
Growing up, I didn't have a chance to watch a lot of films. It wasn't until my teen years that I had to chance to see the classic films.
Subconsciously, there was always an actor inside me. But while growing up, it was a very normal childhood because my dad never got films to the dining table and never discussed films.
Now Kolkata audience loves to see films from Shinoprosad Mukherjee, Srijit Mukherji, Kaushik Ganguly. But I believe the industry still depends a lot on commercial films.
The films that I loved growing up were the science fiction films from the late seventies and early eighties [films], which were more about the people and how they are affected by the environments that they are in. Whether they are sort of futuristic or alien of whatever they are; that was the science fiction that I loved. So that is what we tried to make, the sort of film that felt like those old films.
I didn't watch a lot of TV growing up; I watched more films.
While growing up in Australia I didn't watch many Bollywood films, but the ones I watched, I loved them,especially the songs and dancing.
I studied cinema at the university so I had a very classical approach to it. I studied all those silent films, and then the films from the 1940's, the Nouvelle Vague, the late Hollywood films. Now I realize, as a young actor, that it's one of my duties to actually be aware of what is today's industry and today's next big directors.
I didn't have a lot of exposure to films as a kid, and I never went to the cinema. I had a single mom who just planted me in front of the television. But while growing up, I lived in my own fantasy world.
I built up a knowledge of 1960s and '70s British films because my dad used to work nights, and I'd sit up with my mum and watch films - 'How I Won the War' and the films of Richard Lester, Karel Reisz and John Schlesinger.
Different films have different places in people's lives. I don't get to see a lot of films, so I want to watch films I learn from.
My initial introduction to him was - this is a funny story... My Aunt Marian, my entire life growing up, told me that I looked like Charlie Chaplin. That didn't really resonate with me when I was younger - I hadn't seen a lot of his films.
I used to do lots of independent films and for a while I was very content living in New York City and doing independent movies and off-Broadway theater. I loved it, I had a really good time doing that, and I worked on a lot of projects that are very dear to my heart, both plays and films.
While growing up in Australia I didn't watch many Bollywood films, but the ones I watched, I loved them, especially the songs and dancing. And Hrithik Roshan is my favourite because he is such a fabulous dancer.
When I studied with Nicholas Ray he was always telling us, "If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking." So I thought, perfect! That's a good job for me.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
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