A Quote by Kiran Rao
Dhobi Ghat' is the only script I actually completed and that I was convinced about wanting to direct.
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It took me a good two-and-a-half to three years to write 'Dhobi Ghat' and more importantly be satisfied with it.
I will do a dance number only if I'm convinced about how the director would present me. I'd do something only if the script demands.
I wish in my own mind I were more definite - that I was absolutely convinced I'd never direct someone else's script, but I keep reading scripts, because I might find something.
I guess the idea of not wanting to choose to direct a film, for which I've not read a script. It's a tough decision to make without seeing any pages. That's not to say that I don't have all the faith in the world in the spectacular writers.
Every year, I go to Suriya's house to tie Rakhi on Raksha Bandhan. On one such day, he asked me if I have a script in hand and that's when I gave him the half-completed script of 'Soorarai Pottru.'
I don't think my grandmother would ever be convinced, but my family was convinced that I was convinced, and actually, they came around. My mother ended up going to fundraisers in Chicago that were raising money to send to the students in the South and actually, over years, she went to an elevated train bus station one day at 6:00 a.m. to hand out leaflets protesting the war.
Sincerity does not only complete the self; it is the means by which all things are completed. As the self is completed, there is human-heartedness; as things are completed, there is wisdom. This is the virtue of one’s character, and the Way of joining the internal and external. Thus, when we use this, everything is correct.
The only way a first-time filmmaker could have convinced or can convince a producer is if he has a fantastic script.
I don't know necessarily that I would produce under my own company right now. Producing is not something that I'm thinking about. Directing is something that I will be doing very shortly, trying to figure out what to get my hands on. And I can't imagine writing a script and wanting to direct it and not having a producing credit, because I would want to have a big chunk of power on that end, if I wrote something.
Wanting something - wanting a career or wanting to make something - doesn't really mean much. It's about finding something you care about. Because caring is the only thing that really matters.
When I direct my own scripts, it's much easier as it's been in my head for a year already... What I love about this is having an idea and seeing it come to fruition on screen. I would like to direct someone else's script one day, but I might not get round to it before I die - you can't legislate for being hit by a bus!
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
Stand-up is the only thing in which you actually write it, act it and direct it simultaneously, so it's actually a great theater exercise.
A box-office number is good for a producer and the industry to keep the turnover game on, but as an actor, I give importance to script. I will turn down a script, even if it guarantees Rs. 100 crore, when I'm not convinced with it.
First of all, I don't dislike direct storytelling - people seem to think that about my games! Actually, the truth is, I'm just not good at implementing direct narrative in my games.
I'm finding out what part of punk culture or white indie culture I actually still want to hold onto - What are the values? What are the contributions that I actually like? - and it not coming from a place of desperation or wanting to be embraced or wanting approval, essentially.
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