A Quote by Kiran Rao
If I as a filmmaker take a very radical subject, which might not get an audience in the first week, multiplexes wouldn't agree to let it play on their screens.
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The multiplexes audience has one way of thinking. When they are all sitting together temperamentally, there is room for a filmmaker to reach out to a far larger audience in a comfortable way.
Even the multiplex audience wants this flavour. No big-budget film can be a commercial hit until it does well both at multiplexes and single screens. 'Ghajini' and 'Dabangg' are examples.
It was the money from 'Star Wars' and 'Jaws' that allowed the theaters to build their multiplexes, which allowed an opening up of screens.
Lest we forget at least an over the shoulder acknowledgment to the very first radical: from all our legends, mythology and history (and who is to know where mythology leaves off and history begins - or which is which), the very first radical known to man who rebelled against the establishment and did it so effectively that he at least won his own kingdom - Lucifer.
Take into consideration I get to play-fight in my underwear every week, and I get paid very well to do it.
Friday means popcorn and multiplexes, speaking of movies, and it is the multi that is the problem. So many movie screens. The struggle of what to put on them.
The audience is an absolutely critical part of 'Question Time' and selecting that audience is a big and very important job every week. What we need to do every week without fail is make the audience politically representative of the picture across the nation.
Multiplexes need to be partners in increasing footfalls, but they have been too focused - maybe rightly so - in expanding their footprint of screens, because we are such an under-screened country.
Nowhere was the airport's charm more concentrated than on the screens placed at intervals across the terminal which announced, in deliberately workmanlike fonts, the itineraries of aircraft about to take to the skies. These screens implied a feeling of infinite and immediate possibility: they suggested the ease with which we might impulsively approach a ticket desk and, within a few hours, embark for a country where the call to prayer rang out over shuttered whitewashed houses, where we understood nothing of the language and where no one knew our identities.
The movie industry places such importance on first-week numbers-which means what to people, I don't know. It's very strange. They hope to sell tons of records the first week, and then what?
We played a show the other week at this festival and it was an audience that I'd never normally play in front of. That's one the greatest things about festivals: you don't always get your audience, you get people who just pop in out of curiosity. The reaction was amazing; there were people dancing, which we've never had, I guess because the message is pretty powerful and the performance is a lot more visceral than it has been previously. The audiences seem to be reacting to that really well and it's a wonderful thing, because at a performance you really bounce off your audience.
I had been digging so much for my show, Minimal Wave - constantly finding fresh old material to play every week - that I ended up discovering all these obscure bands that no one had really heard here. It was very exciting to be able to play their records on the air for a new audience and be able to get instant feedback.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
I am happy to play in the Premier League. It's a competition which encourages players to give only their very best week in, week out and you have to be 100%.
Some Libertarians argue that Western occupation fans the flames of radical Islam; I agree. But I don't agree that, absent Western occupation, that radical Islam 'goes quietly into that good night.'
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