A Quote by Kirby Larson
Character is everything, especially these days when that's what publishers are asking for. Make sure that yours have child appeal. Also don't have a huge cast of characters. One or two is best, four, the maximum.
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Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that the author or editor provides a list of characters to keep them straight. Or it may be an intimate cast of two.
I have done great characters in Malayalam, too. In that sense, there was nothing special about my acting as Ambedkar. But I am sure that this is a great venture, and I will get a lot of exposure in India and abroad. I have tried my best to do maximum justice to the character.
I agree that two and two make four is an excellent thing; but to give everything its due, two and two make five is also a very fine thing.
I make up the characters in my books, but of course my consciousness is filled with every child I've ever known, including my two grandchildren, my own kids (I had four) and especially myself as a child, because that person still lives inside me, too.
We were going for simplicity with the Minions and, frankly, I think that's a huge appeal of the characters. They're essentially pills with goggles. A child can draw them quite easily.
It was fine when I was single and childless. Carrying the responsibility of screwing up your kids at the same time is huge. I remember when I got Peter Pan, and I told my mom and dad and my friends I was leaving - again, I was cast way late on - in the next two days to go to Australia for four months, and they all went "Bye! See you in four months!" But no one said "We need you," and I really knew that it was time to think about someone else for a change.
Character actors just pile up the credits because you work on a movie for like a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
Character actors just pile up the credits because you work on a movie for, like, a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
The idea for Maximum Ride come from the earlier books of mine called When the Wind Blows and The Lake House, which also feature a character named Max who escapes from a quiet despicable school. Most of the similarities end there. Max and the other kids in Maximum Ride are not the same Max and kids featured in those two books. nor do Frannie and Kit play any part in Maximum Ride. I hope you enjoy the ride anyways.
As a director you have to be at 30,000 ft objectively looking at everything, wondering if you're making the right objective, emotional, story, character choices. As the writer, while you're asking all of those same questions, you're also forced by the nature of what writing is to be looking at everything under a microscope. That's the difference between the two jobs.
It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.
Whatever that day has given, you have to make it the best of the best. That's one thing I've learned over my years. On days when you can't make everything what you want, do what you do best, make it as positive as possible, and go from there. Learn from your mistakes.
My wife and I have purchased two hybrids. We bought a 3 kw photovoltaic unit. We recycle and offset our carbon emissions on the Internet. We turn things off. But we also spend two nice salaries every year, and here's the dirty little secret - our environmental footprint is HUGE, I'm sure. We've all got to do what we can in our individual lives, but we've also got to drive the systemic changes that will make the big differences.
I let the comedy come through the character and just try to make sure that everything is kind of rounded in a truth, in a reality, because that's what I need to make a character work.
Getting married in four days was the biggest... mistake I've ever made. I have two beautiful kids, but... how can you know somebody in four days? Bonehead.
There is nothing else than now. There is neither yesterday, certainly, nor is there any tomorrow. How old must you be before you know that? There is only now, and if now is only two days, then two days is your life and everything in it will be in proportion. This is how you live a life in two days. And if you stop complaining and asking for what you never will get, you will have a good life. A good life is not measured by any biblical span.
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