A Quote by Kirby Wright

My dark comic edge is the end result of trying to use humor to maintain my sanity growing up in a dysfunctional family in Honolulu. — © Kirby Wright
My dark comic edge is the end result of trying to use humor to maintain my sanity growing up in a dysfunctional family in Honolulu.
I came from a dysfunctional family - very dysfunctional. And my father used to find great humor in throwing me down the stairs.
I have always been very family-oriented. I came from a dysfunctional, broken family growing up, and it's probably instilled in me the need and the want to have a strong family and a great foundation. So I think that is something that I naturally gravitate toward.
It's impossible to write about Native life without humor-that's how people maintain sanity.
Growing up in a particular neighborhood, growing up in a working-class family, not having much money, all of those things fire you and can give you an edge, can give you an anger.
I never worry about people not taking my work seriously as a result of the humor. In the end, the comic's best trick is the illusion that comedy is effortless. That people imagine what he's doing is easy is an occupational hazard.
I like the way that Dexter mixed humor, dark humor and tragedy, in a way I don't think that I've seen another show do. To handle those tonal shifts with so much confidence. Normally, you can mix humor and dark humor, you can mix dark humor and tragedy, but to mix all three... There are just moments with Robin and Reuben, the next door neighbors, that are just funny.
Growing up my brother showed me a lot of Cohen brothers movies, I guess that's where I get my dark humor from.
The people of the Balkans are like a dysfunctional family. We may fight and argue, but in the end we are family.
I'm sorry, Mother. It's just that five days of flying with these characters has made me crawl right to the edge of sanity.' 'I fell over the edge.' Karen said. 'I jumped,' Walter added, 'And I can't seem to climb back up.
My experience growing up in London and growing up in a working class background is that when people are down and out, that's when they're probably the funniest. They have to be. That's what they do to cope, to find joy, 'cause they don't feel the joy inside. Or they use humor to keep people out.
My experience growing up in London and growing up in a working class background, is that when people are down and out, that's when they're probably the funniest. They have to be. That's what they do to cope, to find joy, cause they don't feel the joy inside. Or they use humor to keep people out.
I play a guy who believes he's a king. He's the most common man in the world; in fact his family, like his suits, are just make-up. It's about dysfunctional people and dysfunctional relationships.
One might talk about the sanity of the atom the sanity of space the sanity of the electron the sanity of water- For it is all alive and has something comparable to that which we call sanity in ourselves. The only oneness is the oneness of sanity.
My family put a lot of emphasis on homework, so there weren't too many comic books or video games for me, when I was growing up.
When I was growing up, I was running around; I was a little tomboy. So I was just running around trying to be an athlete and trying to reenact things from TV, but I wasn't really into reading comic books or anything like that.
I have an oddball sense of humor. So when there was an episode at a comic book convention-of course they end up having Lois dress up all sexy and stuff-but really what I would dress up like is a Stormtrooper. That's what I'd do, because it's hilarious, and who doesn't want to be that at some point, right? So then they made something out of that.
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