A Quote by Kiri Te Kanawa
I felt that the studio recording process makes you stand still too long.
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I sing all the time but I'd never gotten what it felt like to be in the recording studio, so it was definitely a learning process.
We honestly felt a bit more at home in the TV studio than we did in the recording studio.
The recording process [ for 'Dirty Work'] took longer than anticipated, because we kept going on tour in between the recording process to make sure that we were still pleasing all the fans across the world.
It doesn't take a lot to get me motivated. I'm a studio rat. When I was in high school and I would walk into a recording studio, it felt like this magical place, this temple, this womb that I could escape into.
To me, finding sounds, or even recording, is a compositional process. The studio is kind of an instrument.
There's not like a science to it, necessarily, but I'm also the kind of person who spends a long time in the studio. I will spend my entire advance just getting it done, which is probably stupid, but I don't have extravagant taste. I mean, I paid for it, so there you go. Why not? The recording process is also very fun.
When I was first writing, I used to sit at the piano and play songs - I'd write one or two a night. It was my hobby. At some point, it then became a process that was mainly done within the context of the studio, and writing became part of the recording process.
I love the finished product, but I find working in the studio a chore - I use an old-fashioned setup, so the recording process can be frustrating.
Back in the day, I used to be in the studio recording 20 hours a day. And that was all of the time. I still record a lot of hours, but I don't go as long as I used to.
Nothing alive can stand still, it goes forward or back. Life is interesting only as long as it is a process of growth; or, to put it another way, we can only grow as long as we are interested.
Everything has changed since I started recording in 1972. But the very things that have opened this industry, like the digital platforms to reach more people, have also killed things that were happening before in the recording studio. Now, most of the time, there are no real musicians in the studio; it's people with sequencers and things.
I don't think you can cover a song unless you love it and have a relationship with it. With 'Golden Heart' I felt a sense of responsibility. And when we were recording it in the studio, it felt almost dream-like. Something you might hear if you were in Senegal, with someone singing from the mosque in the morning just as the sun's coming up.
I'm still amazed by the process of recording.
I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon. Part of the reason I work on stuff for so long is just because I love working on it. It's not that I'm haunted by some ghost sound. I just have nothing else to do with my life. Some people like to obsessively shop online. I like to obsessively rack up studio bills.
I had a recording contract with Capitol Records. I loved recording and being in that studio. I made four albums.
The recording process was basically me meeting with different writers, going into their studio, starting a song and just hanging out and chatting and getting to know how they work. Everybody has a different writing process so there was a lot of getting to know people, which can be fun and stressful at the same time.
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