A Quote by Kirk Cameron
I sometimes found myself more comfortable around my TV family than I did with my own parents and sister.
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The pieces of "Please Give" just did fit together. I'm very comfortable with the ensemble. I thought this was just going to be a movie about this girl who gives mammograms. She's the lead. And then before I know it, she's got a sister, neighbors, and sometimes parents and friends and then it's an ensemble. And that's what I'm comfortable with, I guess.
When we lived in a suburb of Atlanta, Georgia, my sister and I did a local play. My whole family got involved. My mom did the makeup. My sister and I were being homeschooled, and my parents wanted us to be socialized. We had a lot of fun with the other kids hanging out backstage.
Like most people, I've grown a lot more sophisticated in my style choices. I know myself and what suits me better now than I did when I was much younger and feel more comfortable in my own skin.
It was something I was more interested in myself. When I went to see my sister dance at ballet, I was really into costumes and the arts, and my family was also supportive of whatever me and my sister wanted to do. I would say I pushed myself the most to be into design.
I define myself by my family: my parents or my brother or sister and their families.
I want to be comfortable on TV. If I'm comfortable, they're comfortable watching me. I think nothing's more icky than watching icky on TV.
I found a new life in painting, maybe because I think I've found myself. I'm so much more comfortable with myself now that, with every decision I make, I can go all out.
I found that in a perverse way our culture and parents are far more comfortable talking about girls' vicitimization than girls' sexual agency.
In the end, though, I did not kill my sister. She did it all on her own. Or at least this is what I tell myself.
I think family dynamics are definitely very interesting. And in my case my sister did get married. She gave my parents a grandchild.
I felt more comfortable playing other people than being myself, when I was a kid. And then, the tables turned. Through my performances, I've become more comfortable with who I am, and then I just bring more of myself into the people that I play.
My problem was my inability to spend much time at home. I thought my family was secure, so I went running around everyplace else. I guess I had more of an effect on other people's kids than I did my own.
I'm way more comfortable around kids than I am people my own age.
The people on my mum's side of the family are atheist intellectuals who are ueber-proper. My dad's side of the family are missionaries who are more comfortable sitting around in sweatpants than they are in a five-star restaurant. But those two influences converged in my life.
As the Japanese family gets more and more atomized, grandparents don't live with the nuclear family, so parents of children can't consult with their own parents about how to raise their children and rely on that to help raise them.
I tell myself it's a virtue, my failure to sleep in my own house, or at all. I tell myself that I spend more hours than most people aware that I am alive, and that over a lifetime this adds up to more living, more aliveness. I am more alive than the rest of my family. Which is my greatest night fear. Which is why I hunt. I don't ever want to be more alive than they are.
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