A Quote by Kirk Douglas

I have a great respect for actors like Clint Eastwood, who's a wonderful director. I think two pictures that I directed were not successful, so I decided not to make any more.
People think I'll kill you if you make a joke. I compare it to Clint Eastwood. I've only seen Clint Eastwood in movies. You think if you make a joke to Eastwood, he might shoot you.
Clint Eastwood, to me, is Clint Eastwood. He's great at being Clint Eastwood. But, I don't know how to be that guy. I just don't know how to be one person.
My dad traveled a lot, so I only usually saw him on weekends, growing up. His favorite actors in the world were Clint Eastwood and Burt Reynolds. If Clint or Burt had a movie out, we would go to the movies. He didn't like movies, generally, unless Clint or Burt were in them.
If you were in Clint Eastwood movies, you were in the Clint Eastwood movie business. You weren't in the movie business. You weren't part of Hollywood. This became clear early on; people stopped calling. They automatically assumed I was working exclusively with Clint.
John Lee Hancock is someone that I had admired from afar. I think he is a wonderful director... in the tradition I would say both of Clint Eastwood and Frank Capra.
Rod Lurie is one of the most wonderful directors I have had the pleasure to work with. He shoots like Clint Eastwood: no fuss. When he gets it, he knows it - one or two takes.
Every time I watch a Clint Eastwood film, I'm in touch with my feminine side, I've developed a searing man-crush on Clint Eastwood.
Herb Solo at that time was the head of MGM. I said, 'I want to live like Clint Eastwood.' Did I know at that time Clint Eastwood, to him, Heaven was a truck, a dog, and a picnic basket for food or something?
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
My wildest tipping point moment came when I was introduced to Clint Eastwood. He was sitting there, typical Clint Eastwood, wearing a white T-shirt and jeans, holding a Budweiser. He looks at me and says, "I watch your show from time to time." I just stopped. I was like, "I can't even think about that. I'm not even sure if I'm happy about that."
Clint Eastwood's sex therapist, who said to Clint, Do it any which way you can, but no sudden impact. Never got a dinner!
To be brutally honest, I am a little bit of a Clint Eastwood nerd. Clint Eastwood who was the man who drew me into movies. When everybody else was watching Star Wars, I was watching Fistful of Dollars.
Rob [Reiner] is a teddy bear. He's hell delicious. He's a really good director. He's a great soul. In the movie business, I would call him a movie mom. The only person I hold in equal esteem is Clint Eastwood. Now I have worked with a lot of terrific directors, and I don't mean to be putting any of them below their own station, but these two, I relish working with them.
As soon as you think you know Clint Eastwood, you don't know Clint Eastwood.
I've learned a lot from Clint [Eastwood], who's an extremely economical director.
Some people make movies and think, "Well, I'll just keep asking for more money if this isn't enough." And then there are other people, like Clint Eastwood, who always come in under budget.
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