A Quote by Kirk Douglas

I've played some good guys as well, in Spartacus, Paths of Glory and my favorite picture, Lonely Are the Brave, so I had a mixture of parts in my life. — © Kirk Douglas
I've played some good guys as well, in Spartacus, Paths of Glory and my favorite picture, Lonely Are the Brave, so I had a mixture of parts in my life.
There are some guys you have problems beating because of their style - I always had difficulties with guys like Michael Chang and Andre Agassi because their returns were so good and they played so well in defence.
I had already played a lead on Broadway before I ever did a film. I had had three, four seasons of stock with good, fat parts, good supporting and leading parts. And I had done, oh, God, over 400 live TV shows.
For many decades - and this was reinforced by the broadcast networks' standards-and-practices department - bad guys on TV had to get their comeuppance, and good guys had to be brave and true and unconflicted. Those were the laws of the business.
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
I learned from different guys I played with, too. The key was probably three people: The good Lord, the offensive linemen I played with and great fullbacks that could block very well.
I would have to say Ric Flair and Randy Savage were two of my favorite guys to work with; I had some good main-event type matches with both.
The paths of glory at least lead to the Grave, but the paths of duty may not get you Anywhere.
...You can have this whole entire life, with all your opinions, your loves, your fears. Eventually those parts of you disappear. And then the people who could remember those parts of you disappear, and before long, all that's left is your name in some ledger. This...person -- she had a favorite food. She had friends and people she disliked. We don't even know how she died...I guess that's why I like preservation better than history. In preservation I feel like I can keep some of it from slipping away.
One of the things I've learned from animation is that some guys are really good at writing, some guys are really good at design, some guys are really good at directing. It's almost like working in a band - not everybody plays every instrument.
My favorite over the years is probably 'All I Have to Give.' That's probably my favorite. It's one of the first songs that the five of us were featured on the lead, and I just think it has such a great sonic sound with all the melodies and harmonies. It has a little bit of a mixture of R&B and a pop sound. It's just a really good feel-good song.
As long as they keep offering me some good parts and so forth - there are some parts out there that fit me pretty well - I'll keep going for a while.
The only guy that was ever affected by climactic conditions in his acting was Kirk Douglas. He did a superb job in 'Lonely Are the Brave' because we were shooting that picture up at about 12,000 feet, and the rarefied atmosphere sapped him of any energy or strength that he had. That was his best performance.
A gentle mixture of furniture expresses life and continuity but it must be a judicious mixture that flows and mixes well. It is a bit like mixing a salade. (I am better at room than salads).
I like when there are complicated relationships, that there's a little bit of self-serving parts of it as well as a devotion to a person, and that there's a mixture of both in there. It's just I think that's a little more true to life. It's not always purely one way or the other.
Most parts that can be played by one actor can equally well be played by another, but not this.
My mom always wanted me to do movies where I played, whether I had flaws or not, guys that had a good heart.
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