When I produced Spartacus, the writer was Dalton Trumbo, who spent a year in jail because he would not answer McCarthy's questions about other people. He submitted the picture under the false name of Sam Jackson.
And there's wordplay and there's rhythms and you have to be able to get the poetry out of it. You have to be able to sell my jokes. And if you're talking about somebody like Sam Jackson, they do that. Sam Jackson can do that. Sam Jackson can turn it into the spoken word that it was always meant to be and he can sell my jokes. And Christopher Walken can do it and a lot of people can do it, all right.
I play Edward G. Robinson [in Trumbo], who was a close friend and a co-worker of Dalton's [Trumbo]. They worked together on at least one or two screenplays. A lot of these stories take famous people and show you who they are behind the scenes, which is kind of fun. One of the things about getting to play Edward G. Robinson was learning who the man was away from his movie-star exterior.
When something so unjust as the black list happened, [Dalton Trumbo] would come to life in a certain way.
It was also a new role for me as a writer, because I wanted to just be there to serve Sam. I recognized that this picture would be "a Sam Fuller movie," and I was just trying, in whatever way I could, to help him get what he wanted.
Because you see darling, darling, there are no false questions. All questions in life are true questions. Answers may be false, but questions cannot be false. Sure,they can be dumb, they can be stupid, but never false.
Hedda Hopper was a better direct opponent to [Dalton] Trumbo. We wanted to use Trumbo's battles to represent the larger battles, so the audience could understand the personal sacrifice he went through and the personal damage to his family. The choices were about who were the best representations of his antagonists, which is why we chose as we did.
I have so much respect for Sam [L.Jackson] that if I had questions about anything, I would call and ask him if he agreed with me before I brought it up with Craig [Brewer].
[ Dalton Trumbo] always said he fought so many fights, all seemingly different, but all about the concepts of fairness and justice.
Dalton Trumbo was obsessed with justice.
[Dalton] Trumbo himself was a terrible Communist.
It's hard to imagine in this day and age the accent in Dalton Trumbo speaking voice, the Mid Atlantic mixture of an English and American dialect, so flowery and oratorical that it almost sounds theatrical. It would be uncool today, no one would ever speak that way.
I worked with Dalton Trumbo, who served time for refusing to give up names of people that were accused of being Communists. I've always admired him.
Dalton Trumbo actually was [ a hypocrite], because he liked his wealth, which was against the grain of being a Communist. I put title cards at the head of the film that explains the context.
The portrayal of Senator Joe McCarthy as a wild-eyed demagogue destroying innocent lives is sheer liberal hobgoblinism. Liberals weren't cowering in fear during the McCarthy era. They were systematically undermining the nation's ability to defend itself while waging a bellicose campaign of lies to blacken McCarthy's name. Everything you think you know about McCarthy is a hegemonic lie. Liberals denounced McCarthy because they were afraid of getting caught, so they fought back like animals to hide their own collaboration with a regime as evil as the Nazis.
The first thing we noticed was how flamboyant [Dalton] Trumbo was in real life.
Dalton Trumbo was constantly criticizing the membership [in the Communist Party], and was opposite to being a loyalist.