A Quote by Kirk Douglas

Life is like a B-picture script! It is that corny. If I had my life story offered to me to film, I'd turn it down. — © Kirk Douglas
Life is like a B-picture script! It is that corny. If I had my life story offered to me to film, I'd turn it down.
I was offered a lot of reality shows in the past. I continue to be offered things like 'The Surreal Life.' I did one in 2002, right after the attacks on the World Train Center. It was called 'Celebrity Bootcamp.' It sounded exciting and cool when they presented it. When you get down to it, it was corny and cheesy.
After I read the story of 'Dangal' and before the film released, I called director Nitish Tiwari asking him if he had any good script. He told me to wait for some time. So we had three-four sittings, and this film, 'Chhichhore,' came to him. The film did not have superstars, but I felt that this is the script that needs to be told.
I had kind of written the script for my life, I thought. I had the great job, great wife and a boy and a girl and then here's this script that we're following and suddenly adoption comes into the picture. That was the huge unscripted moment in my life which led to many, many others.
Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.
When I was approached for the Kannada version of the film, the makers said it would be their version of 'The Dirty Picture,' based on the life of Silk Smitha. So, I asked them for the exact story. But, I was shocked after hearing the complete story. It was neither like the Bollywood version, nor about the life of Silk Smitha.
Life is like a B-picture script.
My life after childhood has two main stories: the story of the hustler and the story of the rapper, and the two overlap as much as they diverge. I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I'm so far away from that life - now that I've got businesses and Grammys and magazine covers - that I have no right to rap about it. But how distant is the story of your own life ever going to be? The feelings I had during that part of my life were burned into me like a brand. It was life during wartime.
I turned down the first script offered to me, and the second. I lay on my back one day under an umbrella, in the garden, reading the third, and wondered why I had turned down the first.
Martin Scorsese was one of the few who had not been an assistant. Most of the guys had been an assistant and worked their way up. But I had seen an underground picture he had made in New York, a black-and-white film. I had done a picture for American International, about a Southern woman bandit, the Ma Barker story, and it was very successful, and I had left to start my own company, and they wanted me to make another one.
If I can't find a theme, I can't make a film anyone else will feel. I can't laugh at intellectual humor. I'm just corny enough to like to have a story hit me over the heart.
My life had become a catastrophe. I had no idea how to turn it around. My band had broken up. I had almost lost my family. My whole life had devolved into a disaster. I believe that the police officer who stopped me at three a.m. that morning saved my life.
The craft, the writing of a song, is about creating a story, a life story, a world within three minutes, but that's the frame, if you like, the picture frame. That fascinates me.
How interesting it would be to write the story of the experiences in this life of a man who killed himself in his previous life; how he stumbles against the very demands which had offered themselves before, until he arrives at the realization that he must fulfill those demands. The deeds of the preceding life give direction to the present life.
I always say, "First complete your education, be what you want to be in life, get a position, start earning. Then, when you are financially stable, everything will be stable in your life." I have become like a role model, and people feel that I must have had a really cool life, my parents accepting me, like a Cinderella story. It's not like a Cinderella story for me. I had to be my own fairy godmother and create myself. I took decisions and I lived with those decisions, and I did everything for my own dignity.
I've had down periods in the past few years where I haven't been writing or working on music, and during that time something always felt like it was missing, but when I bring it back into the equation, everything in my life makes sense again. As corny as that sounds.
In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.
This site uses cookies to ensure you get the best experience. More info...
Got it!