A Quote by Kirk Douglas

When I first came to Hollywood, the blacklist was just starting, and they were having hearings in Washington. What most people don't know is the judge of these hearings himself was later convicted of misappropriation. 'Spartacus' helped break the blacklist, because Spartacus was a real character.
It's never been written about, but before the blacklist of Dalton Trumbo and the Hollywood Ten, there was a de facto blacklist by Communists in the movie industry, and there were a lot of them.
The blacklist against people in the entertainment industry that show up for [Donald] Trump is worse than that blacklist you heard of in Hollywood back in the forties and fifties.
How do you untell something? You can't. You can't put words back in your mouth. What you can do, is spread false gossip ... so people think that everything that's been said is untrue. Include that Stanley is having an affair. It's like the end of Spartacus. I have seen the movie half a dozen times, and I still don't know who the real Spartacus is. And, that is what makes that movie a classic whodunnit.
If the League were real, today, they'd most likely be sued by every person they ever saved. They'd be subpoenaed by every authority in every jurisdiction imaginable; hearings upon hearings. There'd be waves of accolades followed by tsunamis of boos from social media.
Even before the hearings that led to confirmation of Chief Justice Roberts, senators were saying they were reserving judgment on how they would vote until they got to know him better at the hearings.
Thus, in a crucial way, the Kansas hearings repeat the pattern set by the Scopes Trial, which has been repeated many times since, namely, evolutionists escaped critical scrutiny by not having to undergo cross-examination. In this case, they accomplished the feat by boycotting the hearings. I therefore await the day when the hearings are not voluntary but involve subpoenas that compel evolutionists to be deposed and interrogated at length on their views.
If you think about the way the hearings were structured, the hearings were really about Thomas' race and my gender.
Yeah, like '300,' I've probably watched it 300 times. It's one of my favourite films. I've just finished watching 'Spartacus,' another great series. I relate a lot to those kind of films. I think most fighters should relate to those films. It just seems natural. I am Spartacus, I am Leonidas, I am the lead role in those films.
When I made Spartacus during the McCarthy Era, we were losing our freedom. It was an awful, awful way. McCarthy saw Communists everywhere, in every level of government and they concentrated on Hollywood and especially on Hollywood writers.
I knew people who were real Communists but never made it onto the blacklist and kept on working. There were also people reputed to be Communists who weren't.
When school officials want to get a teacher out of the classroom, they have to go through an arduous and multi-year process involving hearings and appeals and lawyers and more hearings. All the while, the teacher draws full pay.
If American literature has a few heroes, Miller is one of them. He refused to name names at the McCarthy hearings, and his play 'The Crucible' analysed the hearings in the context of a previous American mass psychosis, the Salem witch trials.
The blacklist was a time of evil...no one on either side who survived it came through untouched by evil...[Looking] back on this time...it will do no good to search for villains or heroes or saints or devils because there were none; there were only victims.
There is no blacklist. In the first place, in the entertainment business, money talks, bullshit walks. So Susan Sarandon and Tim Robbins won't be blacklisted because they are bankable stars. In the second place, if you are a woman, the only things you're going to be blacklisted for in Hollywood are body fat and aging.
I was 24 when I was blacklisted. I was 36 when I got off the blacklist. How much of a life does an actress have in L.A. past 25? ... I was really scared of having producers know that I was on my way to 40.
I was 17 when I first acted on stage. I was a part of an Urdu adaptation of 'Spartacus' in the titular role.
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