A Quote by Kirk Franklin
It's very hard to grow up in the African American church and for music to not be in your veins. It's just part of the fabric of who we are as people, especially black musicians.
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One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
The acceptance of the facts of African-American history and the African-American historian as a legitimate part of the academic community did not come easily. Slavery ended and left its false images of black people intact.
I grew up in church. That's how most young African American musicians learn how to perform. You could be six years old and playing organ or drums in front of thousands or hundreds of people.
Progressive music probably wouldn't even really exist if not for the people of the United States having picked up on it and nurtured it in the way they did. It really is an American form of music in the sense that it was nurtured here. So it belongs here. It has become part of the fabric of American musical culture.
I think it's always been especially hard for black people to let go of musicians who do heinous things because music is such an integral part of our existence.
If you grow up playing in church, it removes a lot of the boundaries that other musicians might have, growing up with sheet music or whatever.
I am an American. Black. Conservative. I don't use African-American, because I'm American, I'm black and I'm conservative. I don't like people trying to label me. African- American is socially acceptable for some people, but I am not some people.
People like to compartmentalise music, especially African-American music, but it's really one thing. One very wide thing. I mean, it's like all those great records by Marvin Gaye and James Brown back in the day - there are tonnes of jazz musicians playing on them.
The most important thing in my life is that trying to ameliorate, redeem, the image in particular of African American men, or Black men - I don't really even like that term, "African American," because we're Black people.
The potential significance of Black feminist thought goes far beyond demonstrating that African-American women can be theorists. Like Black feminist practice, which it reflects and which it seeks to foster, Black feminist thought can create a collective identity among African-American women about the dimensions of a Black women's standpoint. Through the process of rearticulating, Black feminist thought can offer African-American women a different view of ourselves and our worlds
When I did the Abyssinian mass, I went through the whole history of the church music and the gospel music, even with the Anglo American hymns, the Afro American hymns, the spirituals and how it developed, up to Thomas Dorsey and the Dixie Hummingbirds, going through the history of the music, jazz musicians.
We’ve gone through the names—Negro, African American, African, Black. For me that’s an indication of a people still trying to find their identity. Who determines what is black?
I understand how difficult it can be for an African-American in today’s society. In fact, I can relate to black people very well indeed. My ancestors once owned slaves, and it is in my lineage to work closely with the black community. However, just because they were freed over a century ago doesn’t mean they can now be freeloaders. They need to be told to work hard, and the incentives just aren’t there for them anymore. When I’m president I plan to work closely with the black community to bring a sense of pride and work ethic back into view for them.
My own personal theory is that all popular music, in whatever form it is, to me, it all comes from Africa. Whether it's filtered through America or whatever - African-American. But I still think there's something in that roots music that's very, very African, and I think that's what unites people.
Trump's position is that the people who are most victimised by black criminals are law-abiding black people, and he's been doing very well with the African American people by taking that message to them.
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