A Quote by Kirk Hammett

For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day', I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.
For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day,' I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.
I used a fifties Les Paul custom on most of the stuff. I also used a Strat, a newer Strat. I had a million guitars in there but I used the Strat & the Les Paul in just about everything. There were a lot of different amp choices, I was working with a pro tools plug-in which is like an amplifier stimulator. The possibilities with something like that are just endless.
My sound is just vintage Vox AC30s and Marshalls... Matchless amps are cool as well.
Ampeg made incredible guitar heads in the early Nineties and then stopped. And I don't know why. The one we used had a nice clean, warm sound, and it blended well with the other amps that were in the studio.
... Jimmy Page bought a Les Paul because he liked mine, but it was stolen, so he bought a Standard everybody raved about .. that's what he's famous for, but his first Les Paul was a Custom like mine ... I can remember he played a Gretsch before that
I wanted something different. I'd been using the C+ amps for a long time, and I love them - they're one of my favorite amps ever. But on this album [Road Kings] I wanted - there were a couple reasons, actually. One is that I wanted a more aggressive sound, some more teeth and hair.
For 'Death Magnetic,' I used what I always use, which is my standard touring rack, which is filled with some Boogie stuff and a Marshall that I've had forever.
I couldn't not play a Les Paul guitar. Les always used to point to my Strat and say, 'Why do you have that piece of crap around your neck?' I'd say, 'Yours are too heavy. I had to drill holes in it.'
I come from a big family of musicians, so I was lucky enough to grow up with guitars all around the house. Even though I didn't really know much at the time, my brother had a Les Paul Goldtop, and my dad always had this Fender or some bizarre Pedulla-Orsini guitar.
It's fun, but the fun is where it always was. I mean, it's still fun to strap on my Les Paul in the basement and turn up the Marshall amp. I'm still 15. I still enjoy that as much as I ever did.
My favorite is still the one that I started off with, which is a Les Paul Standard. I've played that at every gig I've ever had. And that's my starting point in the studio.
In 1977, I had Paul Rivera hotrod six Fender Deluxes for me. At that time, a lot of studio guys in L.A. were using those - not so much live guys but studio guys. They had terrific tone and great technique, and I was like, 'Well, I like having terrific tone even though I don't have any technique.'
I still fall back a lot on my Les Paul, and there is just no getting away from a Les Paul and a hot pickup.
We used to play the Savoy Ballroom, and we always had a boogie tune in the set. Bands like Tommy Dorsey used to do a little boogie woogie. The big bands.
It's easy to get a good amp that might not be the right amp for you. When you go to a music store, really turn the amps on and turn 'em up - hopefully they'll let you - and work through the sounds. This is an important decision, so take your time and be methodical.
I tried a Les Paul when I was a lot younger. I tried the Les Paul, and because of the weight of the thing, it nearly dislocated my hip.
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