A Quote by Kirron Kher
Hyderabad is one of the most important fashion and cultural cities in India, which brings together heritage and innovation.
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There are really at least two Indias, there is an India or a shining India the one which the west seas usually through urbanize and there is an India outside some of the big metro policies and in even the tier two cities and in rural India which is completely different. It goes by the name of Bahar which is a traditional name for India.
India is not going to come up with the best and most modern car, but if you want the most economic car in the world, we're pioneering that with the Nano, which the Tata Group did in India, for example. And I would call that innovation of the highest degree.
I think one can live in American society with a certain cultural heritage, whether it's an African heritage or other, European,what have you, and still absorb a great deal of this culture. There is always cultural assimilation.
The sickly cultural pathos which the whole of France indulges in, that fetishism of the cultural heritage.
The curriculum of the school did not neglect India's cultural, analytical and scientific heritage, but was very involved also with the rest of the world.
India is not, as people keep calling it, an underdeveloped country, but rather, in the context of its history and cultural heritage, a highly developed one in an advanced state of decay.
Trying to keep a society together, trying to keep the older and the younger people together, trying to keep those who live in rural areas together with those who live in cities is one of the most important and most noble tasks of politicians these days.
I want people to leave the theater with a greater understanding of the rich cultural heritage of Pakistan. "Song of Lahore" moves beyond headlines and stereotypes and shows that a vast majority of Pakistanis are not perpetrators of religious violence - they are victims of it. The beautiful cultural heritage of the region belies its image in the West as monolithically religious, intolerant, and violent.
I think there is a misunderstanding about Indians' traditional views. India did send army into Goa, India did send an army into and fought a war in Kashmir in 1948, India did get Hyderabad by force... I think the narrow projection on the international... arena distorted India's image.
If I was asked what is the greatest treasure which India possesses and what is her finest heritage, I would answer unhesitatingly that it is the Samskrit language and literature and all that it contains. This is a magnificent inheritance and so long as this endures and influences the life of our people, so long will the basic genius of India continue. If our race forgot the Buddha, the Upanishads and the great epics (Ramayana and Mahabharata), India would cease to be India .
Growing up in Atlanta, it brings a particular swagger about a person. There are three or four places in the country where people think of fashion: One is LA, obviously. Another is New York. And I think Atlanta has to be in the top five cities where fashion is very big.
The way our big cities change sucks. The beauty of cities was that they were edgy, sometimes even a little dangerous. Artists, poets, and activists could come and unify and create different kinds of scenes. Not just fashion scenes, scenes that were politically active. Big cities are getting so high-end oriented, business corporate fashion, fashion not in an artistic sense but in a corporate sense. For me that edgy beauty of cities is lost, wherever you go.
We cannot blame globalisation for diluting our cultural heritage and music, as our music is respected more outside India than here.
I am all for cultural diversity and would be willing to see each recognizable group value its cultural heritage. I am a New York patriot, for instance, and if I lived in Los Angeles, I would love to get together with other New York expatriates and sing "Give My Regards to Broadway".
The partition of India in 1947 legitimized the forces of masculinist nationalism and enabled hatred for the "other" to irreparably mutilate a shared anti-colonial legacy and cultural heritage so systematically that the wounds inflicted by the partition are yet to heal.
Our vision is to rediscover the spirit of the Renaissance, create a new discipline where engineering for cultural heritage is actually a symbol of blending art and science together.
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