A Quote by Kirsha Kaechele

Agendas in general don't work. The agenda is a thing that is perpetually destroyed. But through that destruction, something really interesting comes up. — © Kirsha Kaechele
Agendas in general don't work. The agenda is a thing that is perpetually destroyed. But through that destruction, something really interesting comes up.
It is concern that precedes and inspires agendas, and survives when agendas fail, and it causes us to try again, always trying our best, never certain about our own judgment. It is knowing that God's purpose exceeds whatever we can put in an agenda.
The light of consciousness has no mind to change or alter anything. When you start to see the light that you really are, the light waking up in you, the radiance, you realize it has no intention to change you. It has no intention to harmonize. It has no agenda. It just happens. The Truth is the only thing you'll ever run into that has no agenda. Everything else will have an agenda.
My travels through physics really are the same urges that make me travel through ecology. They are not really different, except that there is an added dimension of seeing ecological destruction and seeing the very life-support system that makes us survive on this planet being destroyed. That makes me do more than just inquire; it compels me to act and to intervene.
Transient bodies are only subject to destruction through their substance and not through their form, nor can the essence of their form be destroyed; in this respect they are permanent.
Transient bodies are only subject to destruction through their substance and not through their form, nor can the essence of their form be destroyed; in this respect, they are permanent.
For me it's really important that the work here displays an aesthetic of decay along with the sunken boat with the broken ceramic pieces. They form a unity in showing the power of destruction, the beauty of destruction, whether it's from nature - because the boat has sunk - or through other forces. It's really the beauty of decay and death that holds a power here.
I'm not really a partier, in general. I've definitely learned that that's probably the least interesting thing you can do with your time.
We must think of human progress, not as of something going on in the race in general, but as something going on in a small minority, perpetually beleaguered in a few walled towns. Now and then the horde of barbarians outside breaks through, and we have an armed effort to halt the process. That is, we have a Reformation, a French Revolution, a war for democracy, a Great Awakening. The minority is decimated and driven to cover. But a few survive- and a few are enough to carry on.
When you look at the homosexual agenda, I cannot support something that I believe brings nothing but self-destruction, not only physically but of their soul.
What I find is really interesting is the Ear-Nose-Throat doctor thing, which I know would take a lot of work and education, but it's something that really interests me, because it's something that helps people who've had the same problems as me, with the whole hearing and nose congestion and problems with your voice.
This is a record I ended up having to make to get on to the next stage of my life. What I did was a desperate thing to do. I'm aware of the fact that it was irrational. I didn't mean to make it sound like it was my master plan. The tour had even been going all right, but I was just kind of fed up with the situation as it was, playing the same old rock and roll crap that everyone goes through, the general moaning when you really should be grateful that you don't work in the checkout counter at the grocery.
I guess in general, because it's such a popular trend in mainstream American pop, that there's been some kind of negative reaction to it. But at the same time, it's a really interesting effect and really interesting texture, and a lot of credit goes to Rostam for producing our music, and all the work that he puts into it, and just trying different things. Ezra did a vocal take, Rostam threw auto-tune on it, and we all liked the way it sounded.
I manage through a sense of humor. We all work hard, and work has to be a really interesting, fun place. And that has to start at the top.
I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.
Of course I can have a simple reaction of sympathy and sorrow to destruction. But you also know that you can't have new things if you don't occasionally destroy the old. That's something you're really not allowed to say because things are often destroyed according to particular power relations so it means taking a stand in those cases, which I am not really interested in doing either. I think I am simply interested in looking.
Typecasting is an interesting thing because, in a way, if you're good at something, you're going to work at that thing. In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes.
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