A Quote by Kirsten Dunst
Charlotte Rampling is someone I've wanted to work with for a very long time. I've always looked up to her as an actress and it's a reason why I feel brave to do a film like Melancholia. So, to me she's the ultimate.
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My mother wanted to be an actress. She wanted to follow her dreams and she never really got a chance to do that. I feel like I'm following her dream in a way. She's proud of me for doing what I wanted to do, but at the same time, I'm kind of taking up where she left off.
Charlotte Rampling, when she was younger, looked exactly like my wife. That's one of the reasons that when I first saw my wife, my knees buckled. Based on her looks alone, she was already in my kitchen making eggs.
Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.
I think I fell in love with her, a little bit. Isn't that dumb? But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped. And looked at us. She looked at me. Maybe she was trying to tell me something; I don't know. She probably didn't even know I was there. But I'll always love her. All my life.
She was wearing a pair of my pajamas with the sleeves rolled up. When she laughed I wanted her again. A minute later she asked me if I loved her. I told her it didn't mean anything but that I didn't think so. She looked sad. But as we were fixing lunch, and for no apparent reason, she laughed in such a way that I kissed her.
Anurag Sir is someone I have always looked up to and hoped to work with, like many other actors. It's a tremendous opportunity to be collaborating with him on my first film; I really feel fortunate. His conviction in me is very valuable.
I think the way I feel when I look at Evan comes from her. In pictures taken the day she married my dad, she was reckless, laughing, spinning around in circles. She looked like her whole world was him. She looked a kind of happy I can't even imagine. I don't want that. I don't want to be like that. I don' want to feel the way she did because I know what happens when you do. You love with your whole heart, with everything, and you wake up one morning and kiss someone good-bye the way you always do except you mean it as good-bye forever.
It hit her like a sledgehammer, and it was then that she knew what to feel. A liquid trail of hate flooded her chest. Knowing that she would hate him long and well filled her with pleasant anticipation, like when you know you are going to fall in love with someone and you wait for the happy signs. Hating BoyBoy, she could get on with it, and have the safety, the thrill, the consistency of that hatred as long as she wanted or needed it to define and strengthen her or protect her from routine vulnerabilities.
When she looked in the mirror these days, she saw someone she didn't recognize...She saw an old woman trying to be beautiful, her skin dry and her wrinkles like cracks. She looked like a very well-dressed winter apple.
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.
I'm going with Charlotte Rampling. In 45 Years [movie], you start out feeling so bad for her, and then it kind of shifts. I don't know how long you have to act to be able to say everything when you say nothing. The acting feels so real. It's not a fluke that a movie that probably no one's heard of, an actress performance comes out of it.
My mother wanted to be an actress. She wanted to follow her dreams, and she never really got a chance to do that. I feel like I'm following her dream in a way.
Marilyn always dreamt of being an actress. She didn't, by the way, dream of being just a star. She dreamt of being an actress. And she had always lived somehow with that dream. And that is why, despite the fact that she became one of the most unusual and outstanding stars of all time, she herself was never satisfied. When she came to New York, she began to perceive the possibilities of really accomplishing her dream, of being an actress.
I really, really like Nicole Richie, and the only reason why I always bring her up is because I'm impressed with her style evolution. This is someone that came onto the scene that people didn't necessarily view as a style icon, and she completely switched up the game. And I like how she takes risks with fashion.
The woman turned and went slowly into the house. As she passed the doors she turned and looked back. Grave and thoughtful was her glance, as she looked on the king with cool pity in here eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings.
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