A Quote by Kirsten Dunst
I love my snaggle fangs. They give me character and character is sexy. People comment, but the only person who ever told me to fix them was my mom ... I just went my own way, like daughters do.
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I love my snaggle fangs. They give me character and character is sexy.
A character does seem to have a life of its own, but I have what I'd describe as a very fluid relationship with them - as I'm thinking of what they will be like, they shift in and out of focus - they are a projection of some idea inside of me, even if a character is inspired by an actual person, I'm well aware that it is not that person. My job is to identify the essence of the character, and to bring them to life long enough to commit the acts, say the words or simply "be" in a way that allows them to affect and be affected by other elements and events in the imaginary world of a story.
The sexy moments for me, I wasn't thinking of them as sexy. I was thinking of them as more specific to my character. So it was necessary for my character's development in the movie, so that's how I played it.
I'd say I'm a pretty intense person. I'm definitely not my Denise character on 'Scrubs,' nor my Jane character on 'Happy Endings,' but I'm a mix of the two. I really feel that I'm kind of every character that I've ever played; it's just a part of me. And I am a bit of a control freak like Jane. I'm very, perhaps, obsessive like that.
I feel like I got fans that love me for more than just the rap. They love me as a person, they love me as a daddy, they love me as a character. They love Boosie as a whole.
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
I must say Steven Spielberg was great to me, and I loved working with him. He called me up on the phone and was like, "I want you to be in this movie - 1941. There are a couple of parts. You can take whichever one you want. One of them is a main character who is involved in everything, and there's another character who has his own storyline and goes off on his own. He's probably the funnier, more unique character." I said, "Well let me do that second one."
I have never been stereotyped in one kind of character. I have been a part of reality shows, events, singing and dancing. No one has ever told me, 'She will fit only in this character or this look.' It has never happened to me, luckily.
The person you see in the ring is me in a mosh pit, pretty much. I am that character, I don't even like calling it a character. It's just me.
I love the idea of seeing a character - I mean, there's nothing like seeing a character and having the huge detail and roundness that a character in a book can give you. It's so much more full than a character in a script can give you, isn't it?
I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
I like playing these awkward moments in between that build relationships. I don’t ever want to play that character that grabs the girl and has my way with her. That’s just not who that character is. If Daryl falls in love with you, he’s going to love you for the rest of his life.
In White Boy Shuffle, I combined my seventh-grade teacher, Mr. Takemoto, who really saved me - I don't think I've ever told anyone this - and my first basketball coach, Mr. Shimizu, into one character. Something about the way they talked about things, and their attitudes, had a huge impact on me. Not that I necessarily agreed with them. It was important to me to just put them there to stay grounded.
And it interferes with your ability to be a good actress if you're constantly aware of yourself as a person. To me, it isn't valuable to think about how I'm coming off all the time if I'm trying to create a character, because that's a process that I love. It's like falling in love and surrendering to another person or a character.
Before, I thought I was actually fighting for my own self-worth; that is why I so desperately wanted people to like me. I thought their liking me was a comment on me, but it was a comment on them.
I guess it's one thing to play a character and relate to a character, and it's a lot closer to me than people might think. They are obviously watching a person with another name. But when they are listening to my music, it's way more me and my story and my words . . . that is the main difference in that.
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