A Quote by Kirsten Dunst

It's interesting to watch people go through it in something like this. I mean, what other then Melancholia films do they portray depression in? — © Kirsten Dunst
It's interesting to watch people go through it in something like this. I mean, what other then Melancholia films do they portray depression in?
I don't like to veer away from the truth because I think that's what people have fallen in love with about my music. It's honest. I can't portray to you something that I've never been through or something I didn't watch someone close to me go through. It's the best way for people to get to me know.
I think it's a lot more interesting to watch a character go through a transition in a movie. You love her and then you almost want to not like her because she gets mean and gets 'lost' and everything.
Well, you know, there's depression and depression. What I mean by depression in my own case is that depression isn't just the blues. It's not just like I have a hangover in the weekend ... the girl didn't show up or something like that. It isn't that. It's not really depression, it's a kind of mental violence which stops you from functioning properly from one moment to the next. You lose something somewhere and suddenly you're gripped by a kind of angst of the heart and of the spirit.
Content films necessary don't go by the content, they go by the emotions. Content films are about content whether you want to portray the content or sell it through humour, through seriousness, is a choice of the filmmaker.
Darkness, whether in mood or in night, is natural. So if we flow with the black bile of melancholia and endure the terrible darkness of depression, eventually we will break through into the light of joy. This is the Tao (the Way) of darkness or depression--this is the Mystery of its evolution.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
First, I have to read something and find it interesting and like the story. If I don't understand it fully, but there is something in there that is interesting, then it takes a director to convince me. If he can't do that, then I don't go with it. It doesn't matter where the project comes from.
By being part of films like 'Judwaa 2,' I can ensure that I garner more fans, who'd then want to watch me in other powerful films.
I get through difficult situations by looking at how other people have gone through them. I say to myself, 'If they can go through it, then I can.' Or, If they can go through worse, I can go through whatever I'm going through.
I go to watch the so-called mainstream films for different reasons. I certainly like those films if they are giving me something new to look out for.
I like to do realistic films as well as sensible humourous subjects, just because I think these films are only capable to attract people to the theatres. Though I agree that serious movies are also good and I like to watch them, it is a fact that majority of the people are hesitant to go to theatres for those films.
I watch people, friends of mine, and see how they portray themselves online and I find interesting that it's kind of a hyper-real version of yourself, how you'd like to be seen, in a way.
I hate when they portray women as just sex symbols in short skirts, running around playing dumb. I refuse to watch such films or be in such films.
I think modeling is interesting, it's obviously nice to take on a character and go through the process. I'm very lucky that I've been able to do that but I think the challenges that come with the responsibility of art directing something is something that appeals to me. I've done it before in collaboration with other people but it's the first time someone's literally handed it over and been like, "What do you want?" It was really fun to kind of dream up a concept and then execute it with all my friends.
I only really watch my own films, I don't watch any other films and I don't particularly like any other actors.
The deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
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