A Quote by Kirsten Dunst
I've always used my own personal emotions and things that I've gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I'm playing.
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I've always had a process that I do before I even get to set or go to the location. I work privately, and it almost feels like therapy between me and who I'm playing. So I have this inner life that's there and it gives me a confidence, too, that when I'm playing the role I know every question.
[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
I think for everyone it's good to have your own personal work on a character and a film before you even start rehearsing, to have an inner life.
The cognitive therapy that takes place in the film Antichrist is a form of therapy that I have used for some time, and it has to do with confronting your fears. I would say that especially the part of the film that has to do with therapy is humoristic because people who know about this form of therapy would know that the character is more than a fool.
Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
I think having not only personal connections with friends and family I'm able to pull from, but having a connection with so many people through social media, it also feels like I have a relationship with those people that follow me. And feel that what I'm going through, they've gone through something similar, and that's why we've connected. And they're the ones that make it into that body of work that represents them or that time in their life, because we've found each other.
Each film has its own fate, and you can't go through personal emotions based on the highs and lows of a film.
I'm very expressive. Expressing my emotions and experiences through music has always been an important outlet for me. Many of my songs are influenced by personal events and experiences that I have gone through.
In my life I have had to work through problems of stigmatization and prejudice. When I discovered the power of the arts to express my pains and joys, it became clear to me that there would be no other way to work through the demons except to fully embrace the process of creation. The work was not personal therapy but had a connection to other peoples' realities. As I grow older and more mature, it becomes clearer to me that personal struggles and conflicts are connected with universal struggles and conflicts. It is this knowledge, ironically, that gives me the freedom to experiment in my work
I've kind of always had this balance between genre and personal dramas. It almost feels like the two help each other. If I was just to make a genre film, maybe it would be hollow and soulless. If I was just to make a personal drama, maybe it would be melodramatic and nobody would ever go see it.
It's such a private thing - 'my process' - I can just say that the work that I do is like therapy between me and the character.
Becoming the character you are playing might work for some, but for me, it doesn't. I always maintain a gap between myself and my character because if I will go so deep into it, it will get difficult for me to come back. You should work towards understanding the psyche of your character and then play it.
What I like is the acting itself. But I'm a lousy celebrity. I'm not interested in selling my private life. I take my private feelings to the work, but I want there to be a difference between me and whoever it is I'm playing.
It's one of the things that weirdly I always used to like about my job: that expressing the emotions of a writer or someone creative and breathing empathy and life into a character people can then identify with, that they'd feel less alone.
I'm a big believer in playing truth and not doing things for effect. It's not about whether you look pretty or glamorous. It's about whether people connect. That's important to me in any work I do. For me, the key is always trying to find the connection between the audience and the character I'm playing.
The predominant difference between television and film is the pace to which you work, but the development of the character or the process for playing the character isn't necessarily different.
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