A Quote by Kirsten Dunst
I don't really relate to myself as The Girl in the Magazine. Which is dangerous for me, too, sometimes, because I don't think all the time, 'Well, look to see if people are following me home.' Sometimes I'm a little bit more free than maybe I should be.
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I've had my wife traveling with me full time for four or five years, which has been huge for me, and we have our dog traveling with me as well, which I think is a really important part. We do travel so much, and we're away from home so often, it makes it feel like it's home a little bit, too.
Sometimes you miss friends, and it's hard for them, as well, when you're just gone for a long time. I can't just go and see them any time I want because when I'm free, they may not be free, but I definitely wouldn't change it, ever. But, when you find really great friends, that doesn't matter, and I'm lucky to have some people who really, really look after me and look out for me. I definitely wouldn't ever change it.
More of my songs are intended to be funny than almost anyone else. Sometimes maybe it cheers me up a bit. I've got a distance from it. Sometimes what I'm writing is more important to me than the rest of my life. It's more important to me that I'm writing well than anything else.
I think people are more in contact now with the consequences of war than they've been for a very long time. And that's what amazes me when sometimes politicians seem to forget their history. They don't look and re-learn about what has happened before. Maybe they haven't got the memory, maybe they're already too young, but you can see how we become puffed up, and how we as a nation rise so quickly if we're not careful.
I think the more you have a generalist perspective, I think sometimes the more you can kind of see through the forest and the trees. And when it gets a little bit cloudy, you know, have some sense of, "Well, maybe this might happen or maybe that might happen." So I really am a big believer in liberal arts education. I think it's better - particularly in these kind of uncertain times - to know a little bit about a lot of things as opposed to being expert in one thing.
the older I am, the more I refuse to treat my work as therapy and the more I think it's less honest to do that, less about acting. When I was younger, I sometimes used personal things in creating characters, to the point where I thought maybe it was a little bit dangerous - at least for me. But I don't feel that somebody can only be good in a character if they are really becoming that person or really suffering.
Sometimes people won't be able to relate to you if you look like you're straight out of a full blown 'Vogue' magazine every time they see you.
Sometimes along the way, when people are actively working, they will start to do a search for their roots and maybe get really interested in ancestry and become very good at what was just a hobby. But I think that we shouldn't wait quite that long to develop and look for those parallel interests of ours and not sometimes see them as frivolous and take them a little more seriously, and spend some time and energy and maybe even capital in pursuing them.
I don't think I have the stomach Veronica has. I think I have the determination and the stubbornness and a little bit of the go-get-em. But I think I'm about 20 percent more girl than Veronica is. There's a lot of Veronica that hits home with me, the sort of feisty area. But I think that I have a little bit more girl. I'd scream my head off if I saw a body in the freezer.
I always put a little bit of restrictions on myself, and I only do it for my creativity. And I do it sometimes because I want the music to stand out a little bit more than many other bands do. Yeah, I sometimes impose rules on my creativity.
There is an image of me in France that is a long stretch from who I really am. I read about this girl who lives in grand hotels and has affairs with American actors - I don't recognise this girl at all. Sometimes it makes me depressed. Sometimes it makes me laugh. Sometimes I think, 'Gosh, that sounds nice, I'd love to be that girl.'
Because I'm in a modern studio, there are so many possibilities - you can do so much. So it's sometimes a little bit confusing for me to actually see which way should I choose.
I feel like I have more experience with publishing humor than pretty much any editor I'm going to be dealing with so sometimes I'll get a little bit nuts if I write something I know is good a certain way, and some editor because of some restriction he has and wants to change it that I know is going to make it less funny that'll piss me off and then I'm inclined to go, "Well, hey I've been doing this a long time, maybe you should..." That doesn't happen that often, but I'm more likely to say that now than I would have been a long time ago. Because dammit, I'm infallible!
There's a lot of girls out there that can relate to me. They can look at me and see themselves a little bit. There's a lot of girls out there that have a tougher side to them. I just think that people are really grown and attracted to that, and that's why people like to see me fight.
I didn't relate well to people my age. Maybe the truth was that I didn't relate well to people, period. Even my mother, who I was closer to than anyone else on the planet, was never in harmony with me, never on exactly the same page. Sometimes I wondered if I was seeing the same things through my eyes that the rest of the world was seeing through theirs. Maybe there was a glitch in my brain.
I am so beautiful, sometimes people weep when they see me. And it has nothing to do with what I look like really, it is just that I gave myself the power to say that I am beautiful, and if I could do that, maybe there is hope for them too. And the great divide between the beautiful and the ugly will cease to be. Because we are all what we choose.
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