A Quote by Kirsten Dunst
I think for everyone it's good to have your own personal work on a character and a film before you even start rehearsing, to have an inner life.
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I've always used my own personal emotions and things that I've gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I'm playing.
I don't think your personal life has anything to do with your professional life. They are separate things. Whatever is happening at home shouldn't be carried to work. Everyone has his/her own journey. Some revel in the fact that they derive that from personal contentment, and others draw it from extreme sorrow.
It's like you're a character in this book that everyone around you is writing, and suddenly you have to say, 'I'm sorry, but this role isn't right for me'. And you have to start writing your own life and doing your own thing.
Seek guidance for outer action, but be even more concerned with the desires of the heart, that they be consistent with the character of the Lord Jesus Christ. Never did He call upon men for protection, nor even upon angels, although they were sent to minister to Him. It was His own inner unification with the Father's heart that effected His preservation against all evil that was directed against Him. Even so, your own heart purity determines the extent of your personal preservation.
I feel like there's a currency to your personal life and your performance - your acting, your work. If that personal life starts to outweigh what the work is, then your work suffers. Your actual performance suffers because the audience won't see the character, they'll see you.
I was brought up on the romance of American achievement. No matter where you start, if you work hard and if you think positively and if you dream dreams and if you have good character, you can lift the status of yourself, your family, your friends and everyone around you. This doesn't mean that your object in life is to become rich or famous. Just do the best you can with yourself. I think that Almighty God has put that into us and I'm going to do the best I can with myself. That's what I call the romance of achievement. Achievement means to be what, by the grace of God, you can be.
Sometimes I like to think it would be nice if you just had a character, and your personal life was your personal life. My life is definitely out there, you know?
Everyone has a perception if you are divorced. I got so busy with work that I didn't even have the time to realize what was happening in my personal life. I had my own way of dealing with it.
You have everything in you that Buddha has, that Christ has. You've got it all. But only when you start to acknowledge it is it going to get interesting. Your problem is you're afraid to acknowledge your own beauty. You're too busy holding on to your own unworthiness. You'd rather be a schnook sitting before some great man. That fits in more with who you think you are. Well, enough already. I sit before you and I look and I see your beauty, even if you don't.
The Spirit has his own existence and personal function in the inner life of God and the economy of salvation: his task is to bring about the unity of the human race in the Body of Christ, but he also imparts to this unity a personal, and hence diversified, character.
I don't think an actor needs to necessarily go through his things to do his job. I think it's way more important to imagine. And then, when you're imagining, your experiences, your images and your own personal things will show up, but you keep imagining. You don't get stuck in your own personal things, otherwise you are telling your story in every character, and that's not interesting for anybody.
The 'Inside-Out' approach to personal and interpersonal effectiveness means to start first with self; even more fundamentally, to start with the most inside part of self, with your paradigms, your character, and your motives. The inside-out approach says that private victories precede public victories, that making and keeping promises to ourselves recedes making and keeping promises to others. It says it is futile to put personality ahead of character, to try to improve relationships with others before improving ourselves.
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
Everyone's the hero in their own story. You've lived your life. You're the good guy of your life, the protagonist of your own movie. Everyone knows that they have more in them to offer than they sometimes show.
When you have your chance to make a film, don't focus on pleasing everyone. I think the goal is to live in that sweet spot where you focus on making a good film and you have fun with your collaborators, but you don't waste your energy chasing approval every which way. When you have a vision and a good story and you've managed to raise funding, it is your approval as a director that everyone should be seeking. It's very simple.
Win by losing. Before your outer walls break, as break they must, build an inner place to protect your truth. Protect that you are infinite life, choosing its playground; protect that the world you know exists with your consent and for your own good reasons; protect that your purpose and mission is to shine love in your own playful way, in the moments you decide will be most dramatic.
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