A Quote by Kirsten Dunst
When you're little, you're open to things. It's not like you get into this rehearsed zone when you're a child. At first you play different sides of yourself. And I think it will be really exciting one day to have a character to go into that's not anything like me whatsoever.
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People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.
I like to do different things and, as my actrees career evolves, I will choose roles to do things that I haven't done before. There are a lot of different sides of me, and I'm in a unique position now, for the first time in my career, to decide what direction I want to go in.
I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
You'll get, like, 10 pages of sides the night before, and you have to go in and just wing it. For someone like me, I came from the theater, and I don't like putting anything up in front of anybody until it's really, really ready, so it can be very frustrating.
Sometimes I get kind of bored if I go like a month or so and I'm not doing anything. At first I'm like, 'Cool, I'll have a little time off and I'll get to hang out with friends,' but then after a little while goes by I'm like, 'Oh,' and I really wish that I could go back and start doing work again.
I just love to act. I like to get away, totally play a different character, someone you can get really involved in knowing. I've gotten really involved in some characters and written down little summaries of where they live and what their families are like.
Every character thinks differently, and every character has a different energy and way that they tick. But to find a character like Kai, who is so far that he doesn't even feel things, he is so different from me. That is the most exciting part.
If you think of even Tolstoy or a book like 'Anna Karenina,' you go from character to character, and each section is from the third person perspective of a different character, so you get to see the whole world a little more kaleidoscopically that way. That's traditional narrative manner, and I haven't done a book like that before, but I enjoyed it.
That's what's so great, I get to play any character in the world. And I think that's one of the things that makes doing 'Comedy Bang Bang' or other improv podcasts so fun, as well as my own, is that you can really explore a character deeply for a long period of time that is nothing like yourself.
I never like to play for myself, and that is why I don't own a grand piano. To play for yourself is like looking at yourself in a mirror. I like to practice; that is to work at a task. But to play there must be an audience. New things happen when you play for an audience. You don't know what will occur. You make discoveries with the music, and it is always the first time. It is an exchange, a communion.
I think you're attracted to things that are different from yourself in a character because it's more interesting, and you get to play out a fantasy version of yourself.
I try to play characters who are different from myself, so I feel like this character is someone who is really different. I actually think that if I did what he did in this movie, I would get a restraining order put against me.
I think there are two sides of the coin. On one hand, it can be challenging to access different parts of yourself, and you kind of have to put yourself back into reality when you're done with the job. But I think it's also really cool to have the ability to try on being different people and to explore some parts of yourself because you get to know yourself better. You get to know parts of yourself that you haven't met before. I think that's something that I've been learning more recently.
I never like to sit and discuss my character, the other character, our relationship, or anything like that. I feel like if I did my job and I trust that the other person has done theirs, you just go on set, play around with it, chew the scene for a little bit; then we roll, and that's it.
The idea of it [Star Wars] is really exciting, but the most fun part is the actual job you get to do: the character that you get to play, the people that you work with, the day-to-day experience.
In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.
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