A Quote by Kirsten Gillibrand
I realize that for many New Yorkers, this is the first time you've heard my name, and you don't know much about me. Over these next two years you will get to know me, but more importantly, I will get to know you.
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I am excited about the next generation of leaders. I have a hunch there will be a whole group of people who will decide they will stand up; I know people 15 years old asking me how to get into politics. So we will have a steady stream of new blood.
Michel. In my dreams, you come and get me. You take me by the hand and you lead me away. This life is too much for me to bear. I look at the key and I long for you and for the past. For the innocent, easy days before the war. I know now my scars will never heal. I hope my son will forgive me. He will never know. No one will ever know.
I stopped acting when I was about nineteen, twenty, when I got thrown out of college. I did act for about ten years. I don't know. I suspect I'm still a reasonably good actor, but I don't really know that I want to get on the stage again ... and having to say all those boring words by me over and over again ... I don't know if I want to do that. Also, I like a certain amount of freedom of movement, and if you're acting, you're stuck in one place for a long time. Having said that, I will probably be onstage next fall.
Should a young scientist working with me come to me after two years of such work and ask me what to do next, I would advise him to get out of science. After two years of work, if a man does not know what to do next, he will never make a real scientist.
The first time I punched in my name and saw how many sites there were, I thought, that's scary. I got too involved where I got worried and panicked and tried to stop it. But you know what, if I just let it go and not worry about it, then it will be fine. Because it's all about how it makes me feel and I was letting it get to me.
I originally had opened the studio in New York to combine my two loves, music and design. And we created videos and packaging for many musicians that you know, and for even more that you've never heard of. As I realized, just like with many, many things in my life that I actually love, I adapt to it. And I get, over time, bored by them.
You may have heard me say that I am going to create a safe, fair, affordable city for all New Yorkers. But you have probably heard other candidates say that before. What I want you to know is that those will be my priorities because those issues aren't political to me; they're personal.
I know my limitations. I know I'm not perfect. I know what I know, but more importantly, I know what I don't know. When I don't know something, I surround myself with people I can trust to teach me.
I'm mentally getting myself ready to talk about it all year long because I know it's going to come. My main focus is not to really concentrate on that... So many things have to line up, to be healthy and consistent for so many games, to get to that point. I know as we get closer we're going to talk about it more. But believe me, when it's done, if it gets done, it will be a huge achievement and I'm definitely going to soak it in. But at this time, it's not at the top of my mind.
I know my name gets used illegally all the time all over the internet. You know, it is a trademarked name, so it will be something that we always have to deal with. I never needed to change it. It was always fine with me. It is a strange name; that's for sure.
Some time ago I took a trip on the Hudson and Manhattan Transit System. Not being familiar with the names of the various stops, I asked the man next to me the name of the station where we had just stopped. He replied, "I've been riding this line for fifteen years and I only know two stops: where I get on and where I get off."
From an acting standpoint, when I was a kid, I thought I knew everything there was to know. As the years go by, this craft becomes more intensive as I get older. You realize how much more there is to know and to learn, and how much better you can get, if you really work at it.
If ever you get to be my age," said the old woman, "you will know all there is to know about regrets, and you will know that one more, here or there, will make no difference in the long run.
You don't have to spend the entire day hunched over your computer consuming this information. Maybe, it is as simple as once in a while glancing down at the device that's invaluable to you or many reasons, catching up, or it lets you know when you should know something. But as these things get better and we get more connected in it, it will get more sophisticated.
The thing I wondered about so much as a young artist, particularly when things weren't going well and I was really struggling, was, "Will I know when to give up? Will I know when I've suffered enough rejection? Will I know when to get out?"
Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.
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