A Quote by Kirsten Gillibrand
I didn't know how to pass a major piece of legislation; I didn't know how to get colleagues to support my views. It took a lot of asking for advice and learning. One of the lessons is that you have to be able to tell people why you care, and you're only going to be able to do that if you talk to someone whom an issue is affecting.
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Do the other kids make fun of you? For how you talk?' 'Sometimes.' 'So why don't you do something about it? You could learn to talk differently, you know.' But this is my voice. How would you be able to tell when I was talking?
I'm in the factory a lot so I see how hard the guys work, but you never really know how quickly and effectively the other teams' development programmes are going until you get to the track. It's only then that we will be able to tell.
It was interesting to do a completely fictional piece. You know, Saving Private Ryan was not a fictional piece! So the challenge was: How do you incorporate real emotions? How do you incorporate aspects that people are going to be able to identify with?
I think a lot of us who had these oddly shaped childhoods, in some ways we're hyper-capable. We're able to take care of ourselves in a lot of ways but it's like we're missing a piece. When everyone went to school to learn how to be a regular person we were sick that day. We compensate other ways. Alcohol and drugs is one of those ways. Instead of learning how to cope with our problems and deal with hardship and deal with anger, we just decide to get drunk and not care.
So it's not really whether you talk about politics, but how well were you able to do it. Peter Gabriel and Sting get away with it...U2...the examples are there, of people being able to carry these subjects in the music, and the audience is absolutely able to embrace subjects that aren't just the stuff they already know about. And they're actually able to learn stuff.
If I'm not in an environment where I can record, it's great to be able to write something down, to be able to know how to do that, to be able to write notation. You grab a piece of paper and there it is. It's the cheapest recording equipment you can buy: a piece of manuscript paper and a pencil!
I can remember when I first got to los Angeles . I didn't have a car, I didn't have any money. I was walking the streets, you know, trying to get from place to place on foot almost. Sometimes, you know, you say, how am I ever going to get from here to there? There are a lot of people still having that dream and not being able to get there. So you never know. The idea is to keep on tap dancing, though.
In North America, people get a sense that something is really wrong in government and in our culture. There is a corruption, not only in politics, but of spirit as well, when people are so quick to be violent with one another. I think everybody would like to be able to find a solution to make things better. We have the desire to reform inside of us, and we get frustrated because we don't know how to change things, even if it comes to our own behavior. Sometimes you get frustrated because you don't know how to stop that thing that you know is either hurtful to yourself or someone else.
It's important for someone who's dealt with violence to be able to talk to someone, no matter who it is. So I'm vocal about how I feel. That's how I've worked through a lot of my problems.
A good place to start a more civil dialog would be for my Republican colleagues in the House to change the name of the bill they have introduced to repeal health care reform. The bill, titled the "Repeal the Job Killing Health Care Law Act," was set to come up for a vote this week, but in the wake of Gabby's shooting, it has been postponed at least until next week. Don't get me wrong - I'm not suggesting that the name of that one piece of legislation somehow led to the horror of this weekend - but is it really necessary to put the word "killing" in the title of a major piece of legislation?
I don't think I've necessarily been able to pick and choose in my career; I don't know how many people do. But I'll tell you what I've been able to do: I've been able to say no. It is the only thing you can hold on to sometimes, is that ability to say 'no.' And I think that in that way, you can create some kind of career.
That is why the analogy of stealing does not work. With a thief, we want to know how much money he stole, and from whom. With the artist it is not how much he took and from whom, but what he did with it.
Everything starts from prayer. Without asking God for love, we cannot possess love and still less are we able to give it to others. Just as people today are speaking so much about the poor but they do not know or talk to the poor, we too cannot talk so much about prayer and yet not know how to pray.
You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.
Can you understand why the Congress, most states and most cities refuse to pass legislation requiring the registration and licensing of any and all guns? For the life of me, I can't. We must register our cars and be licensed to drive. In many places we must get licenses for dogs and even bicycles. Being required to register firearms and show the competence and capacity to handle them hardly seems unreasonable, hardly seems an infringement of freedom. What is it that blocks such legislation? Why do they block it? How are they able to block it?
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
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