A Quote by Kirsten Miller
You big crybaby," I whispered into his ear. "Now you know why your mom warned you not to hit girls. Sometimes they hit back.
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When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
Me being in Houston, I wanted to leave there because it was only known for one thing. That's why I hit N.Y.; that's why I hit L.A. That's why I hit Paris, London. I just picked up basically everything, but I morphed it into what Travi$ Scott is and into what I know is fresh.
My lone concussion occurred in 2003 against Denver. I was spinning off block and right when I spun, I hit Clinton Portis with my head turned sideways. I hit him and I hit the ground. That was first big one where I was like 'Whoa.' Back then, it was no big deal.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
If I hit you and you hit me and I hit you back and you hit me back and go on, you see, that goes on ad infinitum. It just never ends. Somewhere somebody must have a little sense, and that's the strong person.
One time he (Cool Papa Bell) hit a line drive right past my ear. I turned around and saw the ball hit his ass sliding into second.
A 5 yr. old's definition of nursery school: "A place where they teach children who hit, not to hit, and children who don't hit, to hit back."
Fashion is harder than the film industry. You have to constantly be able to crank out hit after hit after hit on demand and on a very tight calendar. I've come back, I've lost it, I've come back again. It's really as good as your last collection.
In the fourth grade, I learned how to fake walking into a door. You know, you hit it with your hand and snap your head back. The girls loved it.
In baseball, I don't fraternize with players when it's time to hit. I'm preparing for the game. It's the most important time of the day. And I know if I don't hit, I won't have a job in the big leagues. That's why I tend to get very upset when people try to talk to me.
As I've gotten older, now I've really got to back that up with record sales. Anytime showed me that I could still have some of those elements I wanted, but you still have to come with hit after hit after hit.
That's an actor's life. I thought Meet Joe Black was gonna be one of the big changes for me, and it was gonna be a runaway hit - and it wasn't. And with Mr. Mom, I said, "There's just no way." And it turned out to be a huge hit.
I can take a hit, I know I can hit back twice as hard.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
An album is not like an hour-long DJ set, you know, hit after hit and then build up to one big climax.
Age is just a number. Unless, that is, you live in Hollywood, where there's this notion that if you haven't hit it big by your 20s, you may as well hit the road.
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