A Quote by Kirsten Nelson
I knew Kathy Joosten; we worked together on a very short-lived series called Thanks for CBS.
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One of my previous incarnations is as a question writer, so I'd worked on shows like 'The Weakest Link' and a couple of very short-lived ITV series.
I worked with Kathy Rigby, and it's a concept called 'Peter Perry': it's all of Katy Perry's songs telling the story of Peter Pan. Kathy was so sweet, and it was such a cool experience to meet her and work with her and use the set that I had watched on television for so many years.
All my family worked for Puma. My mother worked there, and my father was the guy that opened and closed up in the evening. We lived in the neighbouring building - just a couple of steps, and I would be in the Puma factory. All 300 people that worked there knew me; it was my adventure playground. I knew everything, even how to make a shoe sole.
The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.
I had never worked in television before 'Freaks and Geeks,' and 'New Girl' is the first time since that I've worked on a series that is actually a series and not just a pilot.
Patti [ Scialfa] was an artist and a musician and she was a songwriter. And she was a lot like me in that she was transient also. She worked busking on the streets in New York. She waitressed. She had - she just lived a life - she lived a musician's life. She lived an artist's life. So we were both people who were very uncomfortable in a domestic setting, getting together and trying to build one and seeing if our particularly strange jigsaw puzzle pieces were going to fit together in a way that was going to create something different for the two of us. And it did.
I had never worked in television before Freaks and Geeks, and New Girl is the first time since that Ive worked on a series that is actually a series and not just a pilot.
I knew Bill Cunninghamn personally, in the way that most people know him - you don't really know that much about him. So I had never been in his apartment, as most people hadn't. I really had no idea how he lived. I knew he lived in Carnegie Hall, but that was it, and I didn't really understand. I knew that he worked hard, I just didn't realize that that was what he does, that's basically all he does
I was very young, and I remember this heated, passionate argument and trying to figure out some place called Vietnam, something called a Watergate, and some guy named Gerald Ford who my dad knew who had just become president, and how all these things fit together.
I worked on Crash, the TV series, some Disney shows like Get Connected, Brain Surge & iCarly on Nickelodeon, but Make It Pop is my very first lead role in a series.
I've been doing Nixon pretty much my whole professional life. I was in this comedy group called the Credibility Gap in Los Angeles when he was president. I was doing Nixon on the radio, and when we did live shows I physicalized him - if that's a word - for the first time. And then I did a Nixon sketch on a very short-lived NBC show called Sunday Best.
Communication Was never big in my house. We sat together over dinner, but the only sound you'd hear was crunching and chewing and the little ones asking for more, please. We lived, all boxed up in invisible containers. We hardly knew the people we called sister or father. Jackie and I were the exceptions to that rule.
When I left Nashville I went to Texas because that's where I came from, and because I was playing in Texas a lot in different places. And I saw hippies and rednecks drinking beer together and smoking dope together and having a good time together and I knew it was possible to get all groups of people together - long hair, short hair, no hair - and music would bring them together.
In terms of the series, we worked separately, getting together in rehearsal to beat out the material.
Together with script writers Sid Green and Dick Hills, we worked on the comedy ideas for this series.
I was very fortunate, because I don't think many people get to spend time with their great-grandfathers. So, he passed away when I was 15, so I spent a lot of time with him. We lived together. He traveled a lot, but when he was here, we lived together.
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