A Quote by Kirsten Nelson

I actually was the accompanist for a couple of the musicals I was in growing up. — © Kirsten Nelson
I actually was the accompanist for a couple of the musicals I was in growing up.
I wanted to be a concert pianist at Carnegie Hall; that is what I wanted to do from really early on. I actually was the accompanist for a couple of the musicals I was in growing up.
When I was growing up, there were so many musicals you could watch. I like the fantasy of musicals and I love music.
Musicals are made of several climaxes that keep growing and growing; when you think it's over, it still continues growing up in plateaus.
My dad listened to a lot of James Taylor when I was growing up. We had a couple of his cassettes in the car, and we'd go on a lot of long family car trips. It was either strange musicals or James Taylor - or Whitney Houston. It was quite the combination there.
I did a lot of musicals growing up.
We didn't go to Broadway musicals when I was growing up; it was too expensive.
I didn't know a single musical soundtrack, really, growing up. Nobody listened to musicals. That wasn't a thing I did.
Growing up, I was in all the musicals and everything... I'd come home from school and bash out a few Whitney Houston songs.
I'd been brought up on musicals. Instead of cartoons, we watched videocassettes of musicals at home.
My two favorite musicals growing up in were 'Annie' and 'Sweeney Todd,' and my best friend and I would sing all the songs when I was a kid.
I grew up in a time when the only musicals were animated musicals because nobody wanted to see people to break into song.
My best memories growing up are of putting on musicals with my mom and dad, Both of them are real hams; it was like vaudeville in East Hampton.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
I love musicals. I grew up on musicals.
We didn't have a lot of live theater in Oklahoma. I didn't visit New York when I was growing up. I watched movie musicals, and I believed in an idealistic, idyllic version of Broadway.
When I call to mind my earliest impressions, I wonder whether the process ordinarily referred to as growing up is not actually a process of growing down; whether experience, so much touted among adults as the thing children lack, is not actually a progressive dilution of the essentials by the trivialities of living.
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