When you can connect with a live audience and you get that immediate response it's just great.
The stage is bigger than life. There you are projecting to an audience. In television, you're drawing the camera in to you. And with TV, there isn't that immediate feedback from an audience. You do hours and hours of taping and never get that response.
I long for an audience. I ache for it. I think that's one of the hardest things about the television medium is that you don't get that. You don't get that immediate response.
I have a suspicion that a lot of artists are trying to get a laugh but, unlike stand-ups, they don't get an immediate response from their audience; a laugh is a rare thing in a gallery.
There's nothing more instructive than the immediate response of an audience.
The final evaluation of a play has nothing to do with immediate audience or critical response.
I prefer that for my own satisfaction over radio, there's no audience. TV, there's no audience. I need the response of the audience, even if it's a silent response.
I think what working in a short film online is that the response from the audience is immediate whether your short film or web-series works or not, it is immediate. You can see comments and you can also see how many people have viewed it.
The big difference I think between tv and stage is definitely the immediate buzz that you get. And that's not just as an actor, as an audience member you're getting the chance to have this kind of two-way process where the actors and the audience are experiencing the same thing. With tv you often have to wait months and months down the line to actually get the pay-off. Whereas with theatre it's a very immediate thing.
In France, I'm not going to say the audience will laugh for nothing, but you could compare the response I get to the response Louis CK or Chris Rock would get if they go up in a club in Denver tonight.
We as comics do want an immediate response from the audience. It's really quiet on the set, and there are only the producers, and the director, so a comic is looking for someone to give a reaction, even if it is the camera guy.
Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
Performing a play or a musical or something is obviously an incredible rush, but I don't think you get that immediate response like with comedy unless you get a round of applause or whatever.
If I could email my jokes to the crowd and get the same immediate response [as during stand-up], I'd do that.
People tend to group together their favourite sitcoms and feel that they all took place in one spot named 'the past', but in fact all these sitcoms are spread over a long period of time, and all the terrible sitcoms that were on have been justifiably forgotten.
I miss theater. I miss living the arc of the character, from curtain to curtain, and I miss the immediate audience response.