A Quote by Kirstin Maldonado
We always try to make every song we do sound like a track. It's vocal, but we want it to be really full so no one really can even know if it's a cappella. It's not like it's missing anything, per se.
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When I recorded 'Sun,' I wanted to do something with more of a modern sound. I've never done anything like it, and it was fun for me to sing, but I'm not really a dance person per se. However, I would love to hear that song in the club. I think it's a really good dance song.
It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
I don't want to take all the time. I just want to do what you wrote and let me go from there. I don't want to miss something. You know, I'm not really a writer per se, but I can write. But I can't put a script together like they can.
For every album, I really try to make an album that you hopefully will listen to from the first track to the last track. I personally really like if there's a - maybe not a story, but there's a natural flow.
I think my favourite song on the album [Second Hand Rapture'] is 'Head Is Not My Home', I love the vocal melody and it's such a power hit of a track. Every time it pops on I like listening to it, I'm really drawn to it.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
No one really wants to follow you per se. They really don’t. They want to know that, by following you, they are really following a higher principle, a transcendent truth. In spiritual followership, people want to know whether they are being led and influenced by God.
When I've produced a song, I try to record a vocal over it, and sometimes it becomes really hard. Sometimes I've already said a lot that I want to say within the production. The vocal is just adding to it, rather than it being a song.
I don't really marinate in anybody's album because I don't really want to sound like anybody else when I put my album out. So I'd rather not even be tempted to listen to a bunch of other stuff with any degree of emersion in it, cause I just don't want to sound like anything else, so I kinda focus on my own music.
It's rare that I'll write lyrics first. If I come up with some good lyrics, I'll write them down and try to use them later. If I come up with a song title, sometimes I'll write a song based on that. Sometimes, I'll make a whole band out of it. I don't really have a process, per se. I just keep going and going and going. Every free minute I have I'm working.
You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
Years ago I sang on a track using that voice and someone asked, 'Who is that terribly depressed man?' But Patrick loved it. He said, 'You sound like a young boy, like a child, like an old woman, like an old man,' and really, we all have all of those things inside of us. I don't do any vocal gymnastics to make the voice better as I age. If it comes out rougher, then it's true to what's happening. Singing is who I am. I didn't train for it, any more than I trained for anything else I did. I probably should take better care of myself physically, but it goes against the grain.
I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.
I don't diet per se, I don't weigh myself, I don't look at a number - I haven't done that in probably twenty-five years. I just try to do one of the green drinks nearly every single day, and it's been a long time since I've been sick or anything, so I think it really works.
I always say that when I was recording with Phil Spector, he would not let me really sing, you know? And even to make me sound younger, he would speed the track up. He still wanted that real nice, little, quiet, sweet little sound.
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